Word: juts
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Dates: during 1970-1979
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...compared it to a great desert. "This is absolutely mind-boggling," he said. The scenery was apparently even more mind-boggling after the spacecraft descended to a lower orbit of only ten by 67 miles. Crossing over the towering Apennines, Scott said: "Why, it's just unreal ... the mountains jut out of the 'ocean.' They appear smooth and rounded. There aren't any jagged peaks that...
...pilots cannot afford to buy a plane, and renting them is not always easy. Outside of Lease-A-Plane, the aircraft-rental field is a crazy quilt of widely varying rates, generally casual maintenance and erratic availability of aircraft. Says Johnson, a moderately mod dresser who has the jut-jawed good looks favored in old Smilin' Jack cartoons: "We had to get away from the image of the guy in the leather jacket sitting around a potbelly stove at the airport. We wanted to streamline and standardize our operations so that the businessmen who used Hertz or Avis could...
Nixon's surrogate in this enterprise ?and the man who must actually wield the guns on the way out of the bar?is General Creighton W. ("Abe") Abrams, 56, the U.S. commander in Viet Nam. A veteran tank commander with a jut-jawed, no-nonsense air, Abrams is pursuing a strategy of withdrawal that would be familiar to any student of cavalry operations: give way gradually but strike continually at the enemy, harass his troops, destroy his supplies and keep him off balance. Moreover, Abrams is trying to replace U.S. ground forces with U.S. planes and South Vietnamese soldiers...
Last week's bombing raids signal jut the opposite-much more clearly than the Cambodian invasion. The master plan, according to Washington sources, calls for a continued presence of a smaller troop commitment over the next several years, bolstered by increasing and wider bombing pressure to keep the North Vietnamese "off balance," The war will not end and the best Nixon can hope for is that less Americans will die there and the eyes of the public will turn away...
...paintings by Hans Hofmann-a bequest to the museum from his estate-or down to the free exhibition space on areas below. The floors are broken but connected by ramps, so that viewers move slowly downward through a constantly shifting interior, accented by promontories of raw concrete that jut over the halls like ships' prows. Says Director Peter Selz: "You devise ways and means of installing an exhibit to detain people, to keep them from moving on. Here we made cul-de-sacs and all kinds of things to keep people in front of a painting." Selz...