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Cohn is the ideal villain. He stole from clients. He corrupted the political system. He illegally lobbied a judge to secure the execution of Ethel Rosenberg (who haunts Cohn in his dying days, then says the Kaddish over his corpse, ending with a blasphemous but heartfelt "son of a bitch"). But for Kushner's polemical purposes, Cohn's greatest evil was his willingness to tolerate, in fact promote, discrimination against gays even as he secretly enjoyed boundless gay sex. He is embodied with robust humor and seductive malevolence by Kushner and actor Ron Leibman, who make Cohn a villain...

Author: /time Magazine | Title: Celebrating Gay Anger | 11/23/1992 | See Source »

Will the rise of nationalism lead to anti-Semitism and racism? Yes, but standing at the funeral for three victims of the coup last August (one of whom was Jewish), I saw a crowd of 100,000 listen to the Kaddish, the Hebrew prayer of mourning. Just last winter, the reading of my translation of Bernstein's Kaddish at the Moscow conservatory seemed extraordinary. But what about the demons of democracy who sell anti-Semitic literature like Protocols of the Learned Elders of Zion in Moscow underpasses...

Author: /time Magazine | Title: A Poet's Praise for a Czar | 1/6/1992 | See Source »

...heat of the inner city, Ilana's parents rent a cottage on the beach next door to Anne's cousins, a recently widowed Orthodox Jew named Ezra Dinn and his young son, David. The sounds that come from the Dinn's house during the course of the summer, the Kaddish or prayer for the dead, the morning prayers and Sabbath hymns, catch Ilana's ear while she is sitting on the beach building sand castles or reading on the porch with her mother. Soon, the exoticism of the yarmulkas, the Sabbath rituals and the dietary restrictions, attract Ilana and draw...

Author: By William S. Benjamin, | Title: Music in the Darkness | 5/1/1985 | See Source »

...dark pall hovers over the the story when Ilana's father is killed while covering the fascist bombing of Guernica. Ilana continues to go to synagogue in order to say Kaddish despite her mother's disapproval. Soon, Ilana leaves public school and enrolls in a Jewish day school. There is a sort of spiritual determinism at work here: despite her mother's adamant atheism, despite her father's Protestant background Ilana has a Jewish soul in need of uncovering. This represents a twist of the theme of generational conflict that is at the crux of much of Potok's work...

Author: By William S. Benjamin, | Title: Music in the Darkness | 5/1/1985 | See Source »

...like Charlie Parker, Thelonius Monk and Miles Davis. The idea behind the jazz was spontaneous improvisation and long breath. That had an influence on the line in "Howl" and any other long-line poems I've done. Thelonius Monk's idea of thinking then silence, thinking then silence affected "Kaddish." It would go: clonk, clonk...clonkcklonkcklonk. The big silences in Monk's work are equivalent to the dashes that I use for short breath "thinks" inside the verse line, separated by dashes...

Author: NO WRITER ATTRIBUTED | Title: Ginsberg on the Beat | 2/7/1985 | See Source »

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