Word: kael
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Dates: during 2000-2009
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...drum up a date for a screening. But persuading someone to join you at the film adaptation of Cormac McCarthy's solemn, searing postapocalyptic novel The Road is apparently akin to asking if they'll help you transport nuclear waste. One friend essentially declared that even if Pauline Kael rose forth from the grave to endorse this cinematic spectacle of father and son wandering a ruined world in search of uncertain sanctuary, she still would...
...especially "because he shows a maximum speed, inner life, and view, with the least amount of flat foot." Manny's celebration of action directors took a while to kick in - it had to be doubled or seconded by Cahiers du Cinema critics in France, and Andrew Sarris and Pauline Kael here - but to the next generation of critics his apostasy became dogma...
...might be thought of as one of the 10 best film critics... Always competitive, and this time underestimating his worth. (A quick list of nine others, without overthinking it, but just going by the gut feeling of folks whose writing makes me jealous: Ferguson, Agee, Robert Warshow, Sarris, Kael, Richard T. Jameson, J. Hoberman - the best weekly film critic today, and the one who drank deepest at the Farber font - and, of the new guys, Ed Gonzalez, and honorary adoptive American, David Thomson...
...vogue among middlebrow U.S. reviewers, who might have thought he was French. (Pronounce it Zhool Da-saaan.) The hipper critics knew better. He was "strained seriousness" to Andrew Sarris. On seeing Phaedra - an updated Greek tragedy that threw Anthony Perkins into the arms of stepmother Mercouri - Pauline Kael compared it invidiously to a Bette Davis weepie. Both were making the same point: that art isn't only what comes from Europe, and that kitsch wasn't a Hollywood monopoly...
...screen in The Magnificent Seven, which introduced a new generation of Western stars, including Yul Brynner, Charles Bronson and James Coburn. A good thing, since the previous generation of cowboys, from Wayne, Stewart and Cooper to Randolph Scott and Joel McCrea, were becoming so senior that, s Pauline Kael wrote, the only suspense in their Westerns was to see if they could still mount a horse...