Word: kael
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...James, who blended statistical analysis and critical writing so brilliantly in his annual editions of The Baseball Abstract and later The Baseball Book (now, alas, replaced by a volume that merely handicaps players), would want to spend a year picking apart the Cooperstown selections. It's as if Pauline Kael were to write a book-length excoriation of the Golden Globe Awards. In his splendid Historical Baseball Abstract (1985), James wrote that for years he had been "refusing to comment on who should be in the Hall of Fame and who should not, for a simple reason...
...immediacy of the film is impressive; as Pauline Kael wrote in her review, the film almsot seems to play itself out in a medieval present. At first there is a temptation to mock the seriousness of the film and the self-importance of the Knight's quest, which at times appears like a remnant of 1950s existentialist philosophy; but the images in "The Seventh Seal" are so hypnotically charged that one is pulled in and held fast...
...United Auto Workers, both of which take their lumps in Roger & Me, are handing out copies of Pauline Kael's scathing New Yorker review of the film. To Moore, who is happy to argue every debatable point in Roger & Me, "these critics see themselves as culture police, telling us what a documentary is. Roger & Me was intended as a movie for people to go to on a Friday night. It's not an NBC White Paper, not an episode of Nova. To the guardians of the documentary, I apologize that the picture is entertaining...
...biographer, who teaches film courses at St. John's University in New York City, also provides valuable evidence that blunts film critic Pauline Kael's assertion that Herman J. Mankiewicz, not Welles, was mainly responsible for the final script for Citizen Kane. Mank, as he was known, does get credit for the basic plot and the "Rosebud" sled gimmick, but most of the words belong to Welles, who, after all, had to speak them as the film's protagonist, Charles Foster Kane. Among the footnotes to this classic is Steven Spielberg's purchase at auction of one of three sleds...
Pretty in pictures, she is prettier in person. Critic Pauline Kael's phrase, "charismatic normality," has Molly nailed. The charisma sets her apart as the one young movie actress who can set teens queueing at the box office--though typically, in today's fragmented pop culture, she remains virtually unknown to anyone over 30--and whose punk-flapper fashion sense is imitated by thousands of "Ringlets," her very own girl groupies. They pay tribute by dyeing their hair orange (as she does, from her natural dark reddish brown), smearing lipstick from nose to chin and dressing in Molly's unique...