Word: kafka
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Dates: during 1950-1959
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...recall the Crucifixion and the Resurrection, Thomas is first brought to despair and then raised to ecstasy. Through a neat twist of his plot, Novelist Brebner turns the tables on The Agency and restores Thomas to his rightful place. The happy ending-inconceivable in Orwell's 1984 or Kafka's The Castle-is in happy accord with the love of man which shines through Brebner's artfully simple writing. To a world in which too many already know the brutal impersonality of authoritarianism, Brebner offers his irreverent clown as the symbol of both man's frailty...
COUNT LUNA, by Alexander Lerne/-Holenla (252 pp.; Criferion; $4), cross-pollinates Poe and Kafka to tell two Gothic tales of the occult. The title tale, Count Luna, is set in present-day Vienna. Alexander Jessiersky, frayed scion of a shoddy aristocratic line, fears that a penniless Count Luna whom he has uninten tionally wronged will return from a concentration camp grave to exact revenge. One night he hears footsteps on the floor above his palace study, storms out and plunges a pair of scissors repeatedly into the fleeing, shadowy figure of the intruder -only to discover that...
...Toronto Symphony. Since then, his life has been rigidly circumscribed by the demands of his musical career. In his rare free hours (he practices and reads scores eight hours a day before a performance), Gould studies other composers (major influences: Schoenberg, Anton Bruckner, Richard Strauss), reads omnivorously (favorites: Kafka and Thomas Mann), dodges social activities. "If an artist wants to use his mind for creative work," he says, "cutting oneself off from society is a necessary thing...
...lengthy article in his party journal Hondo Operaio, Nenni called the Khrushchev speech "the gravest and most dramatic document in the Communist literature of the world." Through most of his article Nenni refers to Khrushchev as "K," as though he were a symbolic figure in a Kafka fantasy. "From the revelations of K," says Nenni, "we learn that the guest of the Kremlin appears to have been practically a maniac who, like the figure of the dictator in which Charlie Chaplin portrayed Hitler, 'drew plans on a map of the world.' K cannot contain his laughter...
...that Author Wilson, just turned 25, shows a staggeringly erudite grasp of the works and lives of Bernard Shaw, Nietzsche, Tolstoy, Dostoevsky, William Blake, George Fox, H. G. Wells, Henri Barbusse, Hermann Hesse, Van Gogh, T. E. Lawrence, Nijinsky, Sartre, Camus, Hemingway, T. S. Eliot, T. E. Hulme, Kierkegaard, Kafka, Gurdjieff and Sri Ramakrishna, not to mention many lesser figures. But what makes The Outsider a compelling intellectual thriller is that Author Wilson uses bits and pieces of these men and their literary progeny as pigments for his portrait of a kind of invisible man, an invisible...