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...subway, the distant cacophony of bells, the mingled shouts of children and clash of pin-ball machines. Saddened (perhaps by the morning's news or the "No Loitering" sign), Harold sometimes sits at the corner table by the window and counts green book bags passing by or reads Kafka or sublimates with secretaries on their way to work...

Author: By John D. Leonard, | Title: Down 'n' Out in Cambridge: The Soybean Cult | 6/30/1958 | See Source »

Though it summons up the fictional nightmares of a Kafka or a Koestler, this episode is a matter of cold-sweat fact. It was the first session in an ordeal by torture undergone by French Communist Journalist Henri Alleg, 37, at an "interrogation" center at El Biar, in suburban Algiers, during June and July 1957. His torturers: paratroopers of the French army's 10th Division-later rebels against the Republic-to whom the use of torture has apparently come to be regarded as a "necessary" weapon against the Algerian nationalists...

Author: /time Magazine | Title: Books: Ordeal by Torture | 6/9/1958 | See Source »

...this halfway point, the reader begins to see clearly what Swiss Novelist Frisch is up to, i.e., a sort of Franz Kafka's Castle in reverse. In the Kafka fable, the modern hero struggled to gain entry into an official world that denied his existence; in I'm Not Stiller, he struggles to deny the existence that the same world imposes on him. And, as in The Castle, the setting and characters in I'm Not Stiller may be understood symbolically as well as really. Sam's "prison" is his own fear. The "border" at which...

Author: /time Magazine | Title: Books: Who's Who | 5/12/1958 | See Source »

...Germanic near mysticism. I'm Not Stiller is already a European bestseller and has been hailed as a masterpiece; perhaps it is more accurate to describe it as the first novel since World War II that has tried to exploit the rich, mixed inheritance handed down by Kafka, Koestler and Mann...

Author: /time Magazine | Title: Books: Who's Who | 5/12/1958 | See Source »

Postwar European opera has shown fascinating diversity of subject matter. Trying to put new drama onto their old stages, composers and librettists have turned to Kafka's tales of man in the grip of faceless forces (Gottfried von Einem's The Trial); to religion (Francis Poulenc's The Dialogues of the Carmelites); to intellectual battles of the past (Paul Hindemith's The Harmony of the World, an opera about the astronomer Kepler). Last week two more noteworthy operas held the stage in East Berlin and Naples. Both are by veterans: Slovakian-born Composer Eugen Suchon...

Author: /time Magazine | Title: Music: Man's Fate | 3/3/1958 | See Source »

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