Word: kafka
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...their years in chains and filth. Is a hostage worth 300 TOW antitank missiles or 50 Hawks? We know the argument: rewarding terrorism breeds more terrorism. But what if the hostage is your son, brother or husband, suddenly stripped of humanity and lost in a world that reads like Kafka with kaffiyehs...
...stuff, they were all taken over by the secret world. The moods that I remember, the self-perceptions I had, were very positive, very negative; I was brilliant, I was a complete idiot. I entered it in the spirit of John Buchan and left it in the spirit of Kafka...
Second on the program was Golijov's "Yiddishbbuck," a three movement elegy inspired, according to the program notes, by apocrybhal and Franz Kafka, but commemorating Isaac Bashevis Singer, Leonard Bernstein and concentration camp victims. Such program notes gave a fair indication of the kind of piece that ensued, which seemed all gesture and no substance. (Golijov was present and made obligatory obsequious composers stage appearance, almost refusing to bow in his attempt to give the performers all the credit.) Also disappointing was cobaidulina...
...worked in movie studios were living it. On back lots all over the world, the harshly practical has always confronted the giddily romantic. In his faux documentary INTERVISTA (Interview), Federico Fellini imagines a fictional Japanese television crew interviewing him as he shoots an equally fictive movie version of Kafka's Amerika. The result is not so much a self-portrait as a sentimental-satirical vision of back-lot life, a jazzy juxtaposition of past and present, star egos and bit-player frustrations, epic pretensions and commercial hackery. It's a movie for movie lovers, especially those who romanticize the moviemaking...
Upon this premise, Appel cantilevers the argument that "Yes" versus "No" is the primary aesthetic division of the 20th century. He outlines a hypothetical, prescriptive bookshelf spanning the range of 20th century art. The "No" shelf includes Kafka, T.S. Eliot, George Grosz and the pantheon of Pop art, which emphasize chaos and mass hysteria in the modern age and the mob of mankind. This is the "No" that is countered by the affirmative "Yes" of Matisse, Lachaise, Brancusi and Delaunay, Joyce, Nabokov and Chagall, along with "Yes" shelfmates W. B. Yeats, Wallace Stevens, William Carlos Williams, Marianne Moore, Richard Wilbur...