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METAMORPHOSIS Adapted by Steven Berkoff from a story by Franz Kafka...

Author: /time Magazine | Title: Theater: A Nightmare Without Force | 3/20/1989 | See Source »

Nothing is wrong with the source material, which has inspired countless other stage adaptations. Franz Kafka's story of a man who one day wakes up as a giant insect has provided one of the 20th century's hallmark nightmare images. The essence of the horror is that there is no explanation for it, no deeper meaning, no instructive or redemptive metaphor: the suffering just is. In the transmutation of Gregor Samsa, the world ceases to be predictable or rational; natural and moral order disappear. Critics have found in Kafka's vision hints of everything from the Holocaust to AIDS...

Author: /time Magazine | Title: Theater: A Nightmare Without Force | 3/20/1989 | See Source »

...Darman's negotiations with Congress present serpentine challenges worthy of a Kafka plot, his personality has the dense texturing of a protagonist in a Nabokov novel. Contradictions little and large adorn his life. He owns two racehorses but never bets on them because he doesn't gamble. Last year when his aged Audi expired, he agonized for weeks before acquiring a new Mercedes- Benz. The symbolism of so expensive a car bothers this man of independent means who cuts his own hair (badly) because "it's cheaper and faster." With a reporter he knows well, he can be drawn into...

Author: /time Magazine | Title: RICHARD DARMAN: Driven To Beat the Budget | 2/27/1989 | See Source »

...Juniper Tree and Choreographer Twyla Tharp in In the Upper Room. But 1000 Airplanes may be his most daring ensemble effort yet, involving Chinese- American Playwright David Henry Hwang and Scenic Designer Jerome Sirlin. The trio has produced a science-fiction music drama that is part Freud, part Kafka and part Steven Spielberg...

Author: /time Magazine | Title: Music: The Opera As Science Fiction | 8/1/1988 | See Source »

...current Broadway hit M. Butterfly, Hwang's theme is otherness. M.'s experiences -- in fact, his name itself -- evoke images of Kafka. Like Joseph K. in The Trial and K. in The Castle, M. is a victim of circumstance. Forces beyond his control are propelling him toward a destiny he cannot understand...

Author: /time Magazine | Title: Music: The Opera As Science Fiction | 8/1/1988 | See Source »

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