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...show how that dramatic landscape was formed. Her husband, anthropologist Peter Ekstrom, will discuss the interplay between the environment and the culture of the folks who put down roots there. The Dubois area was once the largest railroad-tie-producing region in the U.S., and Burch Center director Sharon Kahin will take visitors to camps once inhabited by Bunyanesque Scandinavian immigrants who hand-hewed ties with razor-sharp precision. The area is also the home of the Mountain Shoshoni, and archaeologist Larry Loendorf will lead hikes to the wooden structures they built to trap the bighorn sheep that were...

Author: /time Magazine | Title: Families: Summer Campus | 3/20/2000 | See Source »

...former director of the Cornell Southeast Asian studies program, George McT. Kahin, has recently reported, Hanoi will agree to international supervision and guarantees for all phases of a negotiated settlement. An international supervisory role in Vietnam could begin as soon as the U.S. announces a withdrawal date...

Author: By Jim Blum, | Title: 'A Path to Negotiate' | 11/15/1971 | See Source »

...Herman Kahin is lying. I heard that speech, and the CRIMSON's version was accurate, if brief. There wasn't the faintest suggestion in Kahn's statements that he considered morality too complex an issue. Indeed, his attitude was one of simple scorn. Kahn very cavalierly dimissed moral factors as irrelevant and, despite his claims to the contrary, made no distinctions between kinds of moral arguments. His view was that if you use moral arguments, "it implies that you're better than anybody else" (Kahn's version of "who're you to decide what's right?"). After some mumbling along...

Author: By Gene Bell, | Title: HERMAN KAHN | 5/26/1971 | See Source »

...Student Film Studies--"Barbara Baby" by Brian Kahin and "The Girl Who Returned" by Lloyd Kaufman, Carpenter Center Lecture Hall. Admission...

Author: NO WRITER ATTRIBUTED | Title: The Calendar for the Summer | 6/30/1969 | See Source »

...kids, the narration details and analyzes the characters' ideals, the great American drama of growing-up. But here too a balance is achieved by pushing cliches too far, by filling the narration with put-on. The subject of the film remains these ideals as they influence the characters, but Kahin's control of this material and his objectivity toward it never lapse...

Author: NO WRITER ATTRIBUTED | Title: Barbara Baby | 6/2/1969 | See Source »

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