Word: kalavski
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Dates: during 1972-1972
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Slow Dance on the Killing Ground, Three characters in a psychological bar room brawl try each other and, then the audience. Jean Kalavski`s direction is admirable, while the social drama of a decade ago ranges from powerted deadly...
Director Jean Kalavski makes an admirable effort at bringing Hanley's moralistic and melodramatic period place to life. But weaknesses in the acting make an already difficult task impossible. Ira Flak's interpretation of Glas's impassivity often turns to feeble characteriessness. Michael Russell's Randalf is strong, if monotonous, in his hiply ostentatious bamer, but the moments where he ought to break down into sincerity are less credible even than his tough facade. Lexye Levin perhaps carries it off the best of the three; her sardonic brazenness as Ronie brings to the all-too-slow dance the saving grace...
...Martin, respectively. Both of them convey a certain sense of painful and proper English sensibility without losing the pace of their lines. Paul Ling began his role as Mr. Smith very tensely, which became more appropriate as the play itself became more tense, but was initially somewhat awkward. Jean Kalavski babbled as the maid Mary in a relatively minor role that she handled well. Lindsay Davis's direction was equally competent; though he introduced nothing particularly novel into the performance...
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