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Only six students showed up Tuesday night at the Kirkland JCR for a meeting with Michael McKinnell and Ed Carfagno-representatives of the architectural firm of Kallman and McKinnell-to discuss the additions and improvements needed for varsity and recreational sports in the Harvard-Radcliffe community...

Author: NO WRITER ATTRIBUTED | Title: Students Shun Athletic Planning | 5/20/1971 | See Source »

...architects, members of the firm of Kallman and McKinnell, have held extensive interviews with the Harvard and Radcliffe athletic administrations and the Harvard varsity coaching staff...

Author: NO WRITER ATTRIBUTED | Title: Architects Seek Student Advice | 5/13/1971 | See Source »

...RAKES PROGRESS, with its Stravinsky score, its W. H. Auden-Chester Kallman libretto, and its ultimate genesis in Hogarth, is one of the most interesting artistic ventures of the century. Tom Rakewell is portrayed as an innocent, even likeable young man, who is led astray by the conniving servant, Nick Shadow, and robbed of his riches and his innocence. After Rakewell has scorned his true love and taken up with the bearded lady, Shadow reveals himself as a diabolical agent, and plays Tom a card game, with Rakewell's soul as the stakes. Although Tom wins at this operatic Seventh...

Author: By Michael Ryan, | Title: Opera The Rake's Progress at Lowell House, tonight and tomorrow | 4/24/1971 | See Source »

...fitting follow-up to Santa Fe's earlier U.S. premiere of Hans Werner Henze's The Bassarids, a stark, twelve-tone retelling of Euripides' The Bacchae. The libretto by W. H. Auden and Chester Kallman rang out with eloquent pathos. The cast struck a perfect balance of harshness and lyricism under Composer Henze's baton. Perhaps best of all, though, was the spectacular scene depicting the burning palace of Pentheus. Smoke billowed and red lights flickered. Once again flames soared at Santa Fe-but this time they were just part of the show...

Author: /time Magazine | Title: Festivals: Out of the Ashes | 8/23/1968 | See Source »

Much of the performance's humor, unfortunately, was due to the strange and mawkish Auden-Kallman English translation; many serious moments are transformed into unintentional burlesque...

Author: By Jeffrey B. Cobb, | Title: Don Giovanni | 4/28/1966 | See Source »

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