Word: kanes
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...Solange, Folstein's performance was a collection of unconvincing mannerisms--swaying back and forth, swinging her arms in the air, and speaking as if in a daze. Instead of being menacing, she seemed simply loopy, like a evil version of Carol Kane--you know something is wrong when "I hate her! I loathe her!" becomes a laugh line. Barbara Matteau's brief turn as Madame, while awkward, succeeded in injecting some relieving frivolity into the play...
Hearst's action against Kane suited Hollywood's Old Guard fine; MGM's Louis B. Mayer offered to buy the picture for $1 million and destroy the negative. Kane was finally released, amid raves and some skepticism from critics, a yawn from the public. At the following year's Oscar party, having earned nine nominations, the film was booed every time it was mentioned. Callow says that by today's counting methods, Kane would have won for Best Film. In fact, the only statuette went to Welles and Mankiewicz, for Best Screenplay. Mank, who did not attend the ceremony, told...
...anti-Kane forces achieved their goal: the movie flopped. In the long run, of course, Hearst lost. What people know of him today is what they remember from the movie; the definitive biography, by W.A. Swanberg, is titled Citizen Hearst. But Welles lost too. His next film, The Magnificent Ambersons, is a magnificent shard in its surviving form; RKO pulled Welles off the film, cut it by a third, hired a hack to shoot a new ending. He was now "Hollywood's youngest has-been," condemned to haunt Hollywood and other film capitals till he died looking for work. People...
...self-destructive man; why Hollywood blackballed a director who loved film so recklessly and, in his first pass at the mechanical muse, conquered her. But Welles left a monument no one can chip away. As the documentary notes, "There is only one winner in the story of Citizen Kane, and that's the film...In its 55th year, the movie is still a marvel, a circus of camera wizardry enlivening the story of a failure: a powerful man who loses it all. The young Welles did more than anticipate, somehow, his disappointment and decline. Through Kane he revealed...
...movie of such profundity, and so much fun, was an anomaly even in 1941. Now we can hardly imagine a filmmaker, let alone a film industry, capable of creating it. That impulse is lost in the snows of time. Citizen Kane is our Rosebud...