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Harvard campus coordinator Kani Keita ’12 adds that SJSF will redouble its efforts to recruit members, especially freshmen, at Harvard and other campuses...

Author: By Stephanie B. Garlock, CRIMSON STAFF WRITER | Title: Camp Out, Save World | 4/21/2010 | See Source »

...painting her nails with Tipp-Ex can do a jig on stilts. And the shy, sweet-faced black girl who plays Velma Kelly is belting out And All That Jazz like she's gunning for a Tony. This close-to-home version of Chicago is the brainchild of Wasfi Kani, founder of Pimlico Opera, a small touring company. In 1991, the outfit put on a production of Sweeney Todd in Wormwood Scrubs, one of Britain's most notorious men's prisons, using lifers as cast and crew. It was a success - tickets sold well, critics loved it, and nobody escaped...

Author: /time Magazine | Title: Stars of the Slammer | 3/5/2006 | See Source »

...playbook: it got the ubiquitous LL Cool J to sign an endorsement deal. The trick to hip-hop-fashion money, even more than offering slick styles, is somehow to get a rapper--preferably one on heavy rotation on MTV--to wear your stuff. Dr. Dre is dipped in Karl Kani, Mase gets giggy in Mecca, and Busta Rhymes is decked in Ecko. "Videos are hands down the best advertising you can have," says Mike Clark, the chief operating officer of Wu-Wear, the label started by the rap group Wu-Tang Clan, all of whose members wear it constantly...

Author: /time Magazine | Title: Fashion: Getting Giggy with A Hoodie | 1/19/1998 | See Source »

...never volume," says Leeds. "What these companies do well is move fashion forward, but I have doubts whether the businesses can grow much larger." And despite their braggadocio, the designers may have doubts themselves. While Nike plans to unveil its new slogan--"I Can"--during the Super Bowl, Karl Kani will be pushing his basketball sneakers under a slightly less confident slogan...

Author: /time Magazine | Title: Fashion: Getting Giggy with A Hoodie | 1/19/1998 | See Source »

...international hits Sarafina! and Asinamali! But it is quite a departure for Fugard, normally a believer in elite craftsmanship despite the egalitarian sentiments of his work. He has collaborated only once before, developing Sizwe Banzi Is Dead and The Island with professional black actors Winston Ntshona and John Kani, who jointly won a 1975 Tony Award for their performances in the two shows...

Author: /time Magazine | Title: THEATER: Home Is Where the Art Is | 2/28/1994 | See Source »

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