Word: kani
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...Komiteh has no intention of relaxing its grip on Iran. In an interview with TIME Tehran Bureau Chief Bruce van Voorst, Mohammed Reza Mahdavi Kani, a Khomeini aide who calls himself "the Ayatullah's man for Komiteh activities," outlined a plan that would make the group and some of its 1.500 or so replicas across the country permanent features of Iran's government. In Tabriz, Abadan, and other places, local komitehs have already begun rendering decisions on everything from whether brothels can reopen (answer: no) to the prices grocery shops can charge. Kani, who operates...
...Komiteh's main concerns, as Kani sees it, will remain "security and the arrest of holdovers from the former regime." Such seizures have been authorized by a Khomeini-appointed revolutionary prosecutor. The ultimate power, however, lies with the shadowy Islamic Revolutionary Council, whose membership has never been divulged; Kani refers to it as "the acting parliament in the absence of a parliament...
...celebrated South African play Sizwe Banzi Is Dead was presented in Umtata, Matanzima was furious at its barbed references to the Transkei's independence as meaningless. Though the play has been hailed both in the U.S. and Britain, Matanzima closed it down and jailed Xhosa Actors John Kani and Winston Ntshona (who appeared in it on Broadway last year) on the grounds that the play was "highly inflammatory, abusive and vulgar...
...SIZWE BANZI and The Island are Kani and Ntshona. Kani and Ntshona laugh, cry, joke, pray, confide, console, with the unforced naturalness of the neighbors next door, but glow in our dreams and memories even weeks after the performances with a stunningly vivid brilliance. It is as if we had swallowed whole a complete vocabulary of previously undiscovered emotions, gestures, and facial and body expressions. A particular situation, the gesture of a friend, can, at some of the most unexpected moments, trigger the memory of an image or scene from the plays, much as we are suddenly reminded by smells...
...John Kani held and played with the audience through his 45-minute monlogue with the comic sense and gyrating energy of a stand-up comic. But his jokes are corny, deliberately innocent of the contrivance of real jokes or comic routines. And we laugh because he laughs, that infectious, throaty, all-teeth laugh that quakes from his chest. He wants us to be happy, with the urgent eagerness of a child wanting to share a joke with his mother...