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ANDERSONVILLE (767 pp.)-MacKinlay Kantor-World...

Author: /time Magazine | Title: Books: The Stockade | 10/31/1955 | See Source »

Author MacKinlay Kantor, who has converted the Civil War into a living as well as a passion (Long Remember, Arouse and Beware), has turned the grisly fact of Andersonville into a huge, massively researched novel (Book-of-the-Month Club choice for November) which will give Civil War fiction buffs their greatest hour since Gone With the Wind...

Author: /time Magazine | Title: Books: The Stockade | 10/31/1955 | See Source »

Dead Pigeon by Lenard Kantor is a three-character melodrama that is constructed like a superhighway: the audience is never in any doubt where the play is going; it is beautifully landscaped by Joan Lorring in various stages of undress, and -though everything moves along briskly enough-there is a certain sensation of monotony...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Jan. 4, 1954 | 1/4/1954 | See Source »

...district attorney about her recently murdered gangster lover. Both detectives are on the gangsters' payroll, but one of them (Lloyd Bridges) falls in love with the girl. The other (James Gregory) is determined to kill her. With this suspenseful situation established in the first five minutes, Playwright Kantor then all but ignores it until the final curtain when the relatively good detective disarms the completely bad one in a technically skillful stage brawl...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Jan. 4, 1954 | 1/4/1954 | See Source »

...long interval between is filled with an uninspired but dogged probing of the personalities involved. Kantor's wordy persistence is partially rewarded. Joan Lorring emerges as an earnest simpleton who so yearns for freedom that she risks her life in return for a brief holiday from jail. Lloyd Bridges painfully grows in stature from a conniving cop to a man ready to count his world well lost for love. But, as often happens in the theater, it is Villain Gregory with his unrepentant, double-dealing philosophy who comes most alive on the stage: the only unconvincing note...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Jan. 4, 1954 | 1/4/1954 | See Source »

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