Word: kanyeã
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What was your favorite celebrity death of 2009? (MJ, Ted Kennedy, Farrah Fawcett, Kanye??s dignity...
...Still I feel my heart stronger than it’s ever been, / Strong will ’til my journey ends, / ‘Til then I roll…”—it seems a bit insincere in light of its remarkable similarities to Kanye??s “Welcome to Heartbreak.” “Man on the Moon: The End of Day” is futuristic, but in other ways it’s also a throwback. Cudi’s rhymes hearken back...
...chain-gang pick-axes, to the deeply resonating tribal drums on the dirge “4 out of 5,” the band’s meticulous attention to texture is evident in each of the twelve songs on “Living Thing.” Kanye??s caps-locked infatuation with the band is perhaps most understandable in the context of this new preoccupation with aural textures. However, “PB&J” often seems to mistake inventive production for good material. Every song on the album has interesting stylistic touches...
...studio. I guess it’s a fitting setting for Kanye to pick up a brush and paint a portrait of Hilson as Cleopatra, which manages to look like neither. Needless to say, fine art isn’t the currency of a hip-hop video, and Kanye??s Da Vinci act soon ends. What follows is some semblance of plot. Kanye broods, raves, and rants about Hilson’s new boo (Ne-Yo) and finally engages said boyfriend in a deathmatch of sorts—a staring contest. It’s certainly an unexpected...
...while, in a thinly-veiled attempt to connect with the masses, Kanye muses about how much it sucks to be bankin’—poor Kanye, rich in an economic recession. And what’s better than one gloomy Kanye? Lots of them!! The video feeds Kanye??s narcissism as it allows him to digitally multiply himself. He comes close to finally living out the fantasy of making out with himself in a music video. Gone are the days when Kanye would wax poetic about the nature of religion, war, and love, and the days...