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Bearded Beats. No avant-gardist could resist a success like that, and when an English translation became available this year, the New York festival's sponsors leaped at it. Allan Kaprow, the inventor of "happenings," was signed up as director, and Allen Ginsberg, grand old man of the beats, was persuaded to take on the exacting role of the poet. The opening at Judson Hall could not have been more auspicious; it was picketed by a rival group calling itself "Fluxus," bearing signs: "Fight the rich man's snob art." Fluxus Leader Henry Flynt favors "compositions" in which...

Author: /time Magazine | Title: Avant-Garde: Stuffed Bird at 48 Sharp | 9/18/1964 | See Source »

...sniff at will, thus in theory entering into the artist's special world. Irving Kriesberg's Lovers XI 1957 is a double frame of moving panels that the viewer can change and thereby create "paintings" of his own. To make Grand-maw's Boy, Allan Kaprow, 32, produced a collage of worn pieces of cloth that were glued next to the fading photograph of a boy. The old cloth and the dated colors that a grandmother might well have picked for a slipcover or dress evoke the proper mood, even though they may puzzle the mind...

Author: /time Magazine | Title: Art: Here Today ... | 6/20/1960 | See Source »

...leader of the new movement is Allan Kaprow, 32, an assistant professor of art at Rutgers University. Kaprow's "painting in the shape of a theater" got started by way of giant paste-ups of indiscriminate materials. To bring back the idea of a picture, he hung canvas tatters in front of his paste-ups. Then he moved the tatters forward and installed lights behind them. Suddenly he had a stage, and so he brought on "happenings," something like the incidents children contrive for an improvised circus. The idea took hold, and happenings have been put on around...

Author: /time Magazine | Title: Art: Up-Beats | 3/14/1960 | See Source »

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