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...Cheung did smart star turns as the lovers of two beguiling specters in A Chinese Ghost Story and Rouge, and he would later earn international acclaim in Chen Kaige's Concubine?still his fullest, grandest performance. But it was Wong Kar-wai who illuminated the inner Leslie on the big screen. Days of Being Wild made him a '60s Ah Fei (shiftless youth) whose mistreating of women is his payback to the mother who deserted him; it won Cheung a Hong Kong Film Award for best actor. In Ashes of Time, cast as a martial-arts scoundrel, he ably anchored...
...first minutes of Wong Kar-wai's 1990 Days of Being Wild, Leslie Cheung strikes up a chat with Maggie Cheung. She's lovely and lonely; he's smoldering and supercool. Out of the blue, he purrs a boast to Maggie: "You'll see me in your dreams tonight." Next day he comes by again, and she brags that she didn't dream of him. "Of course," he replies with practiced confidence, "you couldn't sleep...
Hong Kong director Wong Kar-wai's frank and ground-breaking Happy Together was among the first to transcend the sexually conventional in 1997. He undressed every girl's bedroom pin-ups, Leslie Cheung and Tony Leung Chiu-wai, and started the first few minutes of his movie with a scene showing exactly what men do to each other in bed. At one stroke, amid much audience perturbation, he unmoored the taboos and let them float flamboyantly close to the mainstream. Asian audiences were intoxicated and its filmmakers' impulses raged against society's machinery, creating a new cinematic landscape...
...forever?" This being a film noir, Shanghai-style, she has to drown in the dirty Suzhou River, then re-emerge as someone else. She could be Kim Novak in Vertigo, hijacked into a James M. Cain plot and photographed in the grainy, high-contrast glamour of a Wong Kar-wai romance. Lou Ye lays out a ravishing wasteland of femmes fatales and lovelorn tough guys--all in 79 minutes. So it's in Mandarin? After Crouching Tiger that's no longer an excuse for missing a terrific movie. Whatever city this one is showing in...move there...
...This is also the first time Zhang has worked with Hong Kong actors, let alone two of its biggest stars. Leung and Cheung, more accustomed to the spontaneous riffing of Wong Kar-wai, are struggling to get the gist of Zhang's directorial technique. "He does keep us guessing," Cheung says, with a hint of exasperation, "but then we only do one or two takes for every scene. He doesn't do lots of options." Contrast this with Wong, who might shoot one scene 30 or 40 times, 15 of which are experiments that help shape the final...