Word: karel
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Dates: during 1960-1969
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...down musical notations of individual speech patterns. He claimed to have recorded 60 distinct ways in which the word yes could be pronounced. He was also fascinated by bird calls, animal cries, and the whispering of leaves. Conversations between his dogs were carefully transcribed onto music paper. Czech Conductor Karel Ančerl, now music director of the Toronto Symphony, recalls the first time he saw Janáček: "I was returning home from a party with a few friends. A full moon lighted the park, and suddenly we saw a stocky man in a long overcoat talking...
...rrenmatt, three Shakespeares, two Sartres, Sophocles' Oedipus, Brecht's Threepenny Opera, Shaw's Pygmalion, a Renaissance knockabout by Niccolò Machiavelli, a late 19th century melodrama by French Primitive Painter Henri Rousseau, works by Wilde, Sheridan and Molière-besides three plays by Czech author Karel Čapek and two carminative political satires by young Czech playwrights...
Catching Up with Theory. The director's battle with Hollywood is far from over. Recently, the associate producer of Isadora, Universal Pictures, hacked away 39 minutes without the assent of Director Karel Reisz. But for The Midnight Cowboy, John Schlesinger achieved total freedom. "United Artists didn't come near me," he boasts. And Paramount Pictures has granted Mike Nichols final authority over Catch-22. It is happily in the French tradition that the facts are finally catching up with the auteur theory...
...LOVES OF ISADORA. Vanessa Redgrave performs magnificently as Isadora Duncan, that quintessential free spirit of the early 20th century. Director Karel Reisz starts at the end of Isadora's life and works backward and sideways to achieve dramatic contrast, but the script lacks a unifying point of view...
That intelligence can seldom shine through the film. Director Karel Reisz (Morgan!) has found an appropriately Proustian mode in which to tell the story, pouring time forward and then reversing it, like the sand in an hour glass. But he places Isadora, the first natural dancer, on a background of numbing artificiality and casts her opposite a series of unconvincing poseurs and popinjays. The baroque scenario -radically cut from 170 to 131 minutes -is florid without being literate, essentially true to the events, but essentially false to the tragicomic character who made them happen...