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...rrenmatt, three Shakespeares, two Sartres, Sophocles' Oedipus, Brecht's Threepenny Opera, Shaw's Pygmalion, a Renaissance knockabout by Niccolò Machiavelli, a late 19th century melodrama by French Primitive Painter Henri Rousseau, works by Wilde, Sheridan and Molière-besides three plays by Czech author Karel Čapek and two carminative political satires by young Czech playwrights...

Author: /time Magazine | Title: Theater: The Czech Stage: Freedom's Last Barricade | 7/25/1969 | See Source »

Catching Up with Theory. The director's battle with Hollywood is far from over. Recently, the associate producer of Isadora, Universal Pictures, hacked away 39 minutes without the assent of Director Karel Reisz. But for The Midnight Cowboy, John Schlesinger achieved total freedom. "United Artists didn't come near me," he boasts. And Paramount Pictures has granted Mike Nichols final authority over Catch-22. It is happily in the French tradition that the facts are finally catching up with the auteur theory...

Author: /time Magazine | Title: Cinema: The Film Maker as Ascendant Star | 7/4/1969 | See Source »

...LOVES OF ISADORA. Vanessa Redgrave performs magnificently as Isadora Duncan, that quintessential free spirit of the early 20th century. Director Karel Reisz starts at the end of Isadora's life and works backward and sideways to achieve dramatic contrast, but the script lacks a unifying point of view...

Author: /time Magazine | Title: Television: May 9, 1969 | 5/9/1969 | See Source »

That intelligence can seldom shine through the film. Director Karel Reisz (Morgan!) has found an appropriately Proustian mode in which to tell the story, pouring time forward and then reversing it, like the sand in an hour glass. But he places Isadora, the first natural dancer, on a background of numbing artificiality and casts her opposite a series of unconvincing poseurs and popinjays. The baroque scenario -radically cut from 170 to 131 minutes -is florid without being literate, essentially true to the events, but essentially false to the tragicomic character who made them happen...

Author: /time Magazine | Title: New Movies: Daughter of Bacchus | 4/18/1969 | See Source »

Except for their personal anguish, the Czechoslovaks separated from home and family by the invasion have little in common with the usual refugees from other Communist lands and crises. They are, by and large, skilled, well educated and often relatively well off. A son of Karel Ancerl, who has been named musical director of the Toronto Symphony Orchestra for its next three seasons, escaped across the border in his family's Mercedes-Benz 250 SL. In Austria, many have loaded up their boxy Skodas for sightseeing tours of the Alps while they await developments in Prague. In London...

Author: /time Magazine | Title: World: THE WANDERING CZECHOSLOVAKS | 10/4/1968 | See Source »

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