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What keeps most "universal" languages from becoming universally popular is their tongue-twisting pronunciation. Almost anybody can learn to read or write them. Working on this principle, a 51-year-old Dutch journalist named Karel J. A. Janson has devised a simplified written language called Picto which can be mastered, he says, by even a slow student in four weeks. It looks like nothing so much as the tablecloth doodlings of a restive banquet audience...

Author: /time Magazine | Title: Education: International Language | 9/24/1956 | See Source »

World Music Festivals (Sun. 2:05 p.m., CBS). First U.S. broadcast of the Czech Philharmony. Conductor: Karel Ancerl...

Author: /time Magazine | Title: TELEVISION: Program Preview, Aug. 20, 1956 | 8/20/1956 | See Source »

...techniques, fads and dead-end experiments. They ranged from the surface violence of U.S. Painter Willem de Kooning's grotesque female portraits to the acrid brilliance of German painters like Fritz Winter, still haunted by Klee and Kandinsky. Paint surfaces varied all the way from Holland's Karel Appel, who trowels on paint like a pastry cook slathering on frosting, to the latest French vogue for tachism (staining), where thin paint trickles down the canvas like spilled...

Author: /time Magazine | Title: Art: The Lost Generation | 10/24/1955 | See Source »

...Tennis Genius." Making a comeback, Tilden won the U.S. title in 1929, the Wimbledon in 1930, and then, at 38, turned pro. He beat the pros of his day: Vinnie Richards, Karel Kozeluh, Bruce Barnes. At 47, in 1940, Big Bill was still touring, and was still good enough to come from a hospital bed to trounce a 25-year-old redhead named Donald Budge, the 1938 U.S. amateur champion. Budge called Tilden "the only genius tennis has produced." Even in his late 505, grey and spare, he was still at it, still able, for one set, to summon...

Author: /time Magazine | Title: Sport: Big Bill | 6/15/1953 | See Source »

...When Karel Capek wrote these words in his 1920 play R.U.R., such a dream of effortless productivity seemed fantastic indeed. But this week, when Massachusetts Institute of Technology explained the operations of the first completely automatized milling machine, the idea no longer seemed quite so farfetched. Ranged beside the big milling machine, which looked like any other, were three formidable-looking banks of electronic devices, each of which decoded the "messages" punched out on a tape similar to teletype. When M.I.T.'s Associate Professor William Pease fed the tape into a transmitter, the huge machine swung into action, cutting...

Author: /time Magazine | Title: INDUSTRY: R.U.R., 1952 | 8/25/1952 | See Source »

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