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...Smoking. On occasion, more calorific titles come into earshot: Totally Lewd Limericks, How to Make Love to a Man (prefaced by the warning "This tape contains explicit and graphic language which may be considered offensive"). The voices on the talking books may be stars, such as Michael York (Anna Karenina), Michael Learned (The Scarlet Letter) and Jason Robards (Anatomy of an Illness), or such authors as Ann Beattie, John Updike and Eudora Welty, reading from their own works. Even Lee Iacocca, Rosalynn Carter and Mike Wallace have recently gone from the word processor to the microphone...

Author: /time Magazine | Title: Books: Heard Any Good Books Lately? | 7/21/1986 | See Source »

Another example of that institutionalized discrimination came at the Baccalaureate Address of the Class of 1960, Charlene Horn Posner of Illinois remembers. "The speaker told us that when we were up to our elbows in diapers and dishes, it would enrich us to have read Anna Karenina," Posner says...

Author: By Shari Rudavsky, | Title: Struggling With the Dilemmas of Inequality and Feminism | 6/3/1985 | See Source »

Nearly halfway through this first novel the heroine makes a passing reference to Anna Karenina. Her remark is no accident, for she belongs to a family that is unhappy in ways Tolstoy would understand. Her father, Sheridan Shields, is a doctor who practices in a lush, remote area of Hawaii. He was one of the first Americans allowed into Hiroshima after the Bomb; he left the flattened city with an infant Japanese boy whom he had delivered and an incurable case of moral numbness. His wife Anna tells him that "what you saw there became your definition of suffering...

Author: /time Magazine | Title: Books: Survivor | 10/4/1982 | See Source »

...Anna Karenina, by Leo Tolstoy...

Author: By Mary Humes and Rebecca J. Joseph, S | Title: The Leisure of the Theory Class | 5/26/1982 | See Source »

...Vladimir Nabokov's lectures [Nov. 16] reminded me of the extraordinary final exam I took 24 years ago in Nabokov's course at Cornell. All his students were aware of his emphasis on "the word, the expression . . . not ideas" and, consequently, had read Tolstoy's Anna Karenina with great care. However, very few of us were prepared for questions like "Describe Vronsky's last glimpse of Anna" (dead under the wheels of a train), and the "trick" question: "What color paint was on the walls of the room where Anna was sick?" (no paint...

Author: /time Magazine | Title: Letters: Dec. 7, 1981 | 12/7/1981 | See Source »

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