Word: karens
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...think the program is heading into an extraordinarily strong and productive year,” Senior Preceptor Karen L. Heath said in a written statement. “And we’re lucky to have the leadership of Tom Jehn, who over his many years at Expos has had experience with every aspect of what our program does...
...there's also a battered bitterness in this Karen Holmes. She may sashay in public, but at home with her philandering husband she spits out her contempt in cigarette puffs. Her hatred for him, and what he did to her, leads Karen into liaisons out of desperation and revenge. She thinks that robust Sgt. Warden (Burt Lancaster) may be the man she searched for in all those other men. In the famous beach scene, as waves crash over them, they lie down and she rolls on top of him, in command. "Nobody ever kissed...
...isn’t what I’d call well.” King, the editor of “The Best American Short Stories 2007,” was joined at the Harvard Book Store event by Heidi Pitlor, the series editor, and contributing authors Jim Shepard, Karen Russell, and Richard Russo to discuss the state of short fiction. NO MORE ‘ASS IN THE AIR’ King said his decision to edit the collection was driven by a desire to reconnect with short fiction, to read as many stories as possible, and to garner...
...came to Memorial Church last night for a panel and book signing to promote “The Best American Short Stories 2007.” King, who served as a guest editor for the book, was joined by Heidi Pitlor, the editor of the series, and Jim Shepard, Karen Russell, and Richard Russo, who each contributed short stories to the anthology. The editors and writers focused their discussion on short stories and read excerpts from the compilation. King spoke briefly about his experience as a guest editor and said that short-story writing is becoming a lost...
...STAM” was choreographed and performed by Karen Krolak to a poem that she also wrote and recorded. Krolak, wearing only a bed sheet which she held up with one arm, performed sinuous and sensual movements offset by the wild expression of her face. The dance successfully reflected the poem, which explored the paranoid and self-destructive feelings of the speaker, but was unimpressive in terms of actual choreography. More of a dramatic statement than an enjoyable work of art, the piece was dominated more by Krolak’s crazed facial expressions than her dancing...