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Through her work as an actress, Sophie C. Kargman ’08—the recipient of this year’s Jonathan Levy Award in Drama—has really learned how to connect with people, and not just the directors, mentors, and other actors she’s worked with. Kargman also finds earnest ways to relate to her fictional characters.“I felt a lot for her,” Kargman says of Theresa, the central character of Rebecca Gilman’s “Boy Gets Girl” and a role...

Author: By Mollie K Wright, CRIMSON STAFF WRITER | Title: Sophie C. Kargman ’08 | 4/29/2008 | See Source »

...Herskovitz may be over-estimating his audience’s motives. “It’s a great procrastination technique,” says Millicent M. Younger ’10. Similarly, for Kimberly B. Kargman ’10, the show is just “an eight-minute diversion...

Author: By Anna H. Steim, CONTRIBUTING WRITER | Title: This is the Story of a Blog | 3/11/2008 | See Source »

Eonnet and Sophie C. Kargman ’08, an aspiring actress and Harvardwood’s other student liason, hope to develop more regular contact between undergraduates and Harvard alum by getting an on-campus Harvardwood group officially approved by the University...

Author: By Asli A. Bashir and Charles R. Melvoin, CRIMSON STAFF WRITERS | Title: Harvardwood 101 | 2/20/2008 | See Source »

...performances, keeping up the energy and tempo throughout the evening. Catomeris, a freshman, and Harvard theater veteran Cutmore-Scott were very believable as best friends. Their relationship, especially as “Manuscript” drew to a close, was one of the most convincing aspects of the play. Kargman managed to give Elizabeth a wide emotional range, despite her character’s manipulative and unsympathetic nature. All three actors took on their roles with enthusiasm, embracing the melodrama and rising above...

Author: By Rachel A. Burns, CONTRIBUTING WRITER | Title: Acting Overcomes Weak Writing in ‘Manuscript’ | 12/3/2007 | See Source »

...director, Walker also livened up the theatre with her dynamic blocking. While the conspiracies within the play developed, her blocking neatly reflected the changing relationships of the characters. At one point, Catomeris and Cutmore-Scott stood at opposite sides of the stage, facing away from each other, with Kargman sandwiched between them in the role of peacemaker. Later, she effectively reversed the picture as Catomeris and Cutmore-Scott circled Kargman triumphantly, stopping on either side of her in order to clink champagne-glasses over her head...

Author: By Rachel A. Burns, CONTRIBUTING WRITER | Title: Acting Overcomes Weak Writing in ‘Manuscript’ | 12/3/2007 | See Source »

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