Word: karina
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...camera first catches the clerk Meursault (Marcello Mastroianni) on a bus ride to the old people's home where his mother has died. Meticulously, it builds up the minutiae of the life of this moderately attractive, affably uncommitted man-working, making love to his girl friend (Anna Karina), watching the street life of Algiers...
...deadpan. If you weep when your wife dies or say words like "Why" or "Conscience," you get shot. There is this Big Brother named Professor Von Braun (can't miss that) who runs the computer. And Von Braun's picture is everywhere. The Von Braun's daughter Natasha (Anna Karina), will say to Caution, "Love? What is love...
...excellent Godard films shown, "Masculine Feminine," a violent and genuinely witty film about young people in Paris, was most popular, and "Pierrot Le Fou" was the best -- one of Godard's greatest achievements. On the surface, "Pierrot Le Fou," the 1965 film starring Jean-Paul Belmondo and Anna Karina, is a color and cinema-scope re-make of "The Maltese Falcon." But thematically, Godard's film is much blacker and more terrifying than its melodramatic plot line would imply...
Band of Outsiders, another backward-looking venture into crime, is a prank by France's prolific Jean-Luc Godard (Breathless), a wayward but talented wonder who fills the gap between his more inspired movies by sketching out such trifles as Outsiders. Heroine Anna Karina plays a wistful student who meets two ne'er-do-wells and helps them plan the robbery of her aunt's chateau. They bungle the job, but meanwhile abandon themselves to a couple of amusing Godardian escapades-taking over a cafe with an impudent little dance of alienation, romping through the Louvre...
Godard obviously enjoyed making this film, and he lets you share his enjoyment. At times he flashes delicious notes on the screen to tell you how Anna Karina, will be very unhappy if she sleeps with Jean-Paul Belmonde, after her boyfriend, Jean-Claude Brialy, refuses to make her pregnant. The film soon becomes a joyous unbuckling of Godard's immense spontaneity as he plays with lights, editing, titles, and film speed. You leave the theatre stunned that anyone's mind could work so fast...