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Word: karina (lookup in dictionary) (lookup stats)
Dates: during 1963-1963
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Usage:

...life to Live comes as close to translating the French titleSa Vie Vivre as it does to presenting a convincing character--not quite close enough. Director Jean-Luc Godord (Breathless) casts his wife, Anna Karina, in a difficult rile. She must persuade us that although she leaves her husband and child to become a prostitute, she is irreproachable. No matter what she does, the movie implies that, like Suzie Wong and Irma La Douce she remains somehow pure...

Author: By Paul Williams, | Title: My Life to Live | 12/6/1963 | See Source »

...LIFE TO LIVE. French Director Jean-Luc Godard (Breathless) turns a camera full of love and artistry upon his wife (Anna Karina), who, in a dozen impeccably filmed episodes, depicts the oddly satisfying salvation of a woman who leaves home and hearth for harlotry...

Author: /time Magazine | Title: Television: Nov. 8, 1963 | 11/8/1963 | See Source »

...last two thirds of the movie offer a lower temperature and a bit more art. Flattery used for cuckoldry is the subject of the second vignette, "The Fox and the Crow." To make the acquaintance of pretty Anna Karina, Mr. Renard swells the head of her jealous husband. Miss Karina is fully clothed throughout...

Author: By Eugene E. Leach, | Title: Three Fables of Love and Maid for Murder | 10/18/1963 | See Source »

Maid for Murder brims over with Establishment accents, sex, slapstick, guitar music and Tom and Jerry homicide plans. Anna Karina is back, this time a Corsican in frequent deshabille, out to inherit Oberon Manor from a pair of bumbling bachelor brothers. A tubby reporter for True Women arrives: "She looks more like four women," observes little brother. It turns out that "Aunt fell down the well and kicked the bucket," among other calamities. One picturesque heroine and half-a-dozen giggles in Maid for Murder barely rescue British comedy from a stained reputation...

Author: By Eugene E. Leach, | Title: Three Fables of Love and Maid for Murder | 10/18/1963 | See Source »

...soul of the allegory belongs to a pretty but apparently quite ordinary young Parisienne (played by Anna Karina, in private life the director's wife) who all at once experiences an intense compulsion to be or to become "somebody special." She abandons her young husband and their baby and takes a job as a salesgirl. Careless with money, she falls behind in her rent. Locked out of her flat, she spends one night with one young man, another with another. After a while, sick of being broke, she accepts some francs for her franchise. The money is nice...

Author: /time Magazine | Title: Cinema: A Love Song | 10/11/1963 | See Source »

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