Word: karine
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Dates: during 1990-1999
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written by Christopher Durang, directed by Karin Coonrod...
...Director Karin Coonrod must be given credit for taming this tornado of a play. Performed as part of the A.R.T.'s CrossCurrents initiative, an ongoing attempt to "create and sustain a body of new music theatre works," The Idiots Karamazov intersperses cabaret-style singing with its mad dash through practically all the Western fiction and drama worth reading. But an experiment in Brechtian musical theater this is not. With love ballads about the loss of Christian morality that come across as even more depressing than Tom Stoppard's musings in Jumpers and show-stoppers about the benefits of being...
...Affiliated with the Harvard African Students Association (HASA), the Gumboots dancers celebrate a dance that orginated in South Africa. In their free time, miners "discovered" the musical potential of their workboots and slapped and clapped in rhythm. This pastime then evolved into a more intricate step-dance. One dancer, Karin Alexander '02, says that "the story of the gumboot fits into the wonderful, though pain-ridden, history of our continent. The dance expresses all of that and is like a fabulous interactive way to share part of the African spirit." Indeed, the gumboot dancers, who meet for two-hour rehearsals...
...Navy spokesperson, Commander Karin Jeffries, said yesterday that the Navy has supported 50 economic development programs in Vieques. Jeffries said, however, that these programs have had limited success because they lacked the full cooperation of the Puerto Rican government...
...immense talent of actors Kate Agresta '02, Karin Alexander '02 and Jim Augustine '01 keeps the audience entranced throughout the play. Without such stellar performances it is likely that scenes or elements of confusion would lose the attention of viewers, thus making the play ineffective. This is especially applicable to Augustine, who entrances the audience with his sincere display of emotion in an extremely complex and confusing second act. As the main voice of the widow in the first act, Kate Agresta's ability to dazzle audiences, even when delivering somber testimony, becomes apparent. Her impeccable delivery is a triumph...