Word: karle
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Dates: during 1990-1999
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...novel opens about two generations before the Holocaust in the Austrian village of Neufeld. There, a young civil servant named Karl has just converted from Judaism to Christianity, thereby following in the footsteps of almost all of the Jews in the city. His reasoning is that he wishes to be promoted to municipal secretary, a position he has been working toward for 17 years but also a position which his faith has prevented him from achieving. Christian sentiment, however, scorns the newly converted as Jewish at the core in spite of any baptism ceremony they may have undergone. Karl, while...
...progress, multilingual cosmopolitans, patrons of the arts, sponsors of Rossini and Balzac, vintners of Mouton and Lafite--was shadowed by a vicious anti-Semitic twin, the view that culminated in Hitler's speeches about "the rapacity of a Rothschild." The family became an all-purpose and surreal villain. Karl Marx vilified the Rothschilds as a quintessence of capitalist evil. One contemporary conspiracy theorist argued that the Rothschilds "arranged the murder of President Lincoln" and, later on, financed the rise of Hitler as a bulwark against the Soviet Union...
...Karl Taro Greenfeld
Appreciating the Weimar exhibition in this historical context is essential. In fact, The Laboratory of Modernity exhibition was actually organized to complement Eric Rentschler's Weimar Cinema class (German 155). The works themselves are usually not beautiful. Karl Hubbuch's drypoint, profile portrait of The Schaefer Sisters shows the ugly sister fastening a necklace around her prettier sister's neck. The sisters are ably sketched, but their averted gaze, their isolation on otherwise white paper, and the blunt utility of Hubbuch's composition combine to give the viewer a queer sense of detachment, which prevents wholehearted admiration while simultaneously intensifying...
...John Heartfield and El Lissitzky, take up Soviet propaganda, Hitler and Weimar politics with a style that anticipates, but far from outshines, contemporary artists like Barbara Kruger. Their montages are busy, uninviting, but important. Heartfield's One must have a special disposition toward suicide. It illustrates the murder of Karl Liebknecht and Rosa Luxembourg by the Freikorps--an event which put an end to any realistic hopes for a Communist revolution in the Weimar Republic. Heartfield lays Liebknecht's mordant head among a sea of German newspaper clippings from anti-Communist papers, subtly picturing the Freikorps in one corner...