Word: karle
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Dates: during 2000-2009
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...Tribute to Karl Marx” at the 3 Sacramento St. location, where about half of the Co-op residents live. The painting has a red star over the phrase “Workingmen of the world, unite!” written in several different languages...
...humanities or social sciences cracked open the works of Adam Smith, Jean-Jacques Rousseau, Thomas Aquinas, and Michel de Montaigne. Bending the spines of heavy books purchased from the Coop or checked out of Lamont library, students learned about the working-class struggle through the words of Karl Marx, and perused Niall Ferguson’s “Empire” and Christopher A. Bayly’s “Birth of the Modern World” in order to understand the reality of imperialism. We students of the 21st century closed our books this spring having swallowed...
...vaunted Bush message discipline and loyalty would last for all eternity?) And some of those who had the difficult job of covering the Bush White House day to day had not expected the underestimated McClellan, of all refugees, to be the one to pull it off. (Note to Karl Rove: McClellan just about tripled the pressure on you to tell us something we don't know when your memoir hits the bookstores...
...someone whose chief job was spinning the press, McClellan seems surprisingly troubled by the way that politics dominates everyday governance. He claims to be especially concerned by the prevalence and toxicity of the "permanent campaign," where politics trumps policy on every issue. The architect of this was, of course, Karl Rove, whom McClellan praises in a variety off backhanded ways. "Karl Rove is not the problem," he writes. "Karl Rove did not create the excesses of the permanent campaign. Rather, the excesses of the permanent campaign created Karl Rove...
...nothing explicit, danke. Inge (Ursula Werner), a plain hefty woman in her early 60s, is more or less happily married to 70-something Werner (Horst Rehberg), whose idea of excitement is to listen to recordings of model-train sound effects. No wonder she goes for the slightly sprightlier Karl (Horst Westphal), who's 76 but young at heart, or at least early middle-aged. They have a quick tryst in his apartment, which begins a love affair that lets them both act like teenagers. The movie moves at Werner's pace, but its eye for character is clear...