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...Litvinenko was buried as he had lived, in a storm. There was rain, hail and a tornado near Highgate Cemetery in north London on the day his lead-lined coffin was lowered into a plot a few yards from that of another dissident who had sought refuge in Britain, Karl Marx. Before the burial, there was a memorial service at a mosque. Several close friends said Litvinenko had converted to Islam a few days before he died, in a kind of atonement for atrocities Russia (and perhaps Litvinenko himself) had committed in Chechnya, although another doubted any conversion had taken...

Author: /time Magazine | Title: Crime: The Spy Who Knew Too Much | 12/10/2006 | See Source »

...while working for Paris' Comédie Française that Chemirik learned about "the effect of jewels from a distance." After making necklaces for Karl Lagerfeld at Chloé, he designed "Marie Antoinette--like wedding dresses" in Dubai and returned to Paris to join the interior-design team at Ralph Lauren. Chemirik then left and paid a jeweler to teach him his craft. He spent 10 years designing necklaces for Chanel; next, he created prototypes for Tom Ford at Yves Saint Laurent...

Author: /time Magazine | Title: Paris' High-Wire Act | 12/6/2006 | See Source »

Alas, brand loyalty is short lived. Once Karl Lagerfeld has seduced a girl, Chanel can hope to keep her for life. At Bonpoint, customers grow up and move on, so every 10 years the company must attract new ones. That is where the Cohens excelled. "I always insisted that we have someone in the studio with a baby in her arms," says Marie-France. In 1993 she hired Domitille Brion as a studio designer. "My jeunesse," Marie-France says whenever she refers to Brion, who is now an independent consultant. Together, over 10 years they honed the key codes that...

Author: /time Magazine | Title: Carriage Couture | 12/6/2006 | See Source »

...Karl Rove's Role...

Author: /time Magazine | Title: Letters: Dec. 11, 2006 | 12/3/2006 | See Source »

...French Revolution-inspired collection for Dior is even more theatrical: Dramatic red coats with oversized collars and giant belts stand against a mirrored red background.The last room of the exhibit is the only one that truly delivers, featuring three heavyweights of the Paris fashion world: Valentino, Karl Lagerfeld for Chanel, and Christian Lacroix.Unlike Galliano, Valentino’s clothes are not conceptual; they focus instead on feminine details like ruffles, bows, and beading. Chanel, the epitome of Parisian fashion, appropriately stands center stage. In a nice touch, each piece includes a note on how many hours of labor went into...

Author: By Claire J. Saffitz, CONTRIBUTING WRITER | Title: Boston Tries To Be Fashion-Forward | 11/30/2006 | See Source »

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