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After 24 composers-including Igor Stravinsky, Pierre Boulez and Karlheinz Stockhausen-had signed a petition on his behalf, Yun was allowed to resume composing behind bars. The Bonn government, angered by Seoul's cloak-and-dagger tactics on German soil, threatened to suspend its $25 million program of economic aid. South Korea first reduced Yun's stiff sentence to 15 years, then to ten, and last month decided to free him. He is expected to leave for Germany next month...

Author: /time Magazine | Title: Composers: Song of a Wilted Flower | 3/28/1969 | See Source »

...KARLHEINZ STOCKHAUSEN: GRUPPEN FOR THREE ORCHESTRAS; CARRE FOR FOUR ORCHESTRAS AND FOUR CHOIRS (Deutsche Grammophon). Composed between 1955 and 1959, these scores represent Stockhausen's first space compositions using nonelectronic sounds. Significantly, both works had their premieres in large, barnlike fairground buildings rather than on normal concert stages. In Gruppen, three orchestral groups totaling 109 players curve around three sides of the audience; in Carre, four groups of 20 players each, plus eight to twelve singers, face outward from a central circle. Both compositions fill the air with hard-edged blocks of dissonance that collide, clash and splinter with...

Author: /time Magazine | Title: Television: Jan. 31, 1969 | 1/31/1969 | See Source »

...circles, he was awarded the W. Alton Jones Chair of Composition at the Peabody Conservatory of Music in Baltimore this year. In Europe, he ranks as one of the most influential American composers, and is admired by such leading musicians as France's Pierre Boulez, Germany's Karlheinz Stockhausen and Italy's Bruno Maderna. Available Forms II, which is Brown's most ambitious work, was performed by the New York Philharmonic in 1964, with Brown conducting one orchestra of 49 players and Leonard Bernstein another. Brown is now putting the finishing touches on a work...

Author: /time Magazine | Title: Composers: Sculpture in Sound | 1/24/1969 | See Source »

...development of electronic sound producing and reproducing equipment. John Cage's Variations II required Pianist David Tudor to clip microphones at various points on his Steinway and to overtune them so that the amplifier-produced squawl and squawk become part of the composition; in Mikrophonie I. Karlheinz Stockhausen attached two microphones to an oversized gong, which was then hit with a variety of materials to produce a 26-minute submersion in audible chaos...

Author: /time Magazine | Title: Recordings: The Twelve Tones of Christmas | 12/8/1967 | See Source »

...KARLHEINZ STOCKHAUSEN: COMPLETE PI ANO MUSIC (2 LPs; CBS). This set is worth acquiring as much for Stockhausen's notes on the album cover as for the music itself. Not that the composer writes revealingly about his art ("All the Piano Pieces V-X are characterized by groups of notes around nuclear notes, occurring before, with or after them."). Instead, he spends the space discussing the fascinating food his soloist, Aloys Kontarsky, consumed on the days when the album was being recorded. On the groaning board: jugged deer with Spdtzle; marrow consomme; steak Tartare; saltimbocca romana ("He sent...

Author: /time Magazine | Title: Television: Sep. 29, 1967 | 9/29/1967 | See Source »

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