Word: karloff
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Dates: during 1970-1979
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...kids? Cartoons! Right gang. Now if you all get in a circle, I'll give you the names of some of those too-sweet 'toons. Dec. 19th at 8 p.m. on CBS is Dr. Seuss's "How the Grinch Stole Christmas," with the late Boris Karloff narrating; ABC, at 7 p.m. on the 16th features "Rudolph's Shiny New Year," and at 8 p.m. the next night, the always cool Pink Panther in "A Pink Christmas." NBC, not to be outdone, offers my personal favorite, Casper The Friendly Ghost, starring in "Casper's First Christmas," the 18th...
...thick brick walls live such celebrities as Lauren Bacall, Roberta Flack, and John Lennon and Yoko Ono, who own some 28 rooms throughout the Dakota and who once held a séance to commune with departed tenants. Other famous occupants have included Leonard Bernstein, Judy Holliday and Boris Karloff, plus several purported house ghosts. The Dakota is just the haunt, then, for Stephen Birmingham, who has made a living off the rich ("Our Crowd," The Right People. The Grandees) and famous (Jacqueline Bouvier Kennedy Onassis...
Such speculation may seem lugubrious to those who know the monster only through Boris Karloff 's film impersonations or through such burlesques as the TV sitcom The Munsters and Mel Brooks' Young Frankenstein. As this collection of twelve essays suggests, though, Mary Shelley's novel is a surprisingly open-ended source of disturbing, even terrifying implications. Its awkwardness and philo sophical uncertainties mark Frankenstein as the first and most powerful modern myth, not a pure Jungian river flowing through the collective unconscious but a polluted industrial spillway...
...Frankenstein is not simply a woman's revenge. It is not, in fact, simply any one thing. Beneath its rhetorical, overwritten surface, the novel moves as fitfully as a dream, allowing as many interpretations as there are willing interpreters. The classic Karloff films take only part of the story and twist that as well...
...Karloff's monster is stiff-jointed and barely verbal; Mary Shelley's monster is quick on his feet and can speak like a Romantic poet on an off night: "I will glut the maw of death until it be satiated with the blood of your remaining friends." Similarly, most popular dramatizations of the novel have singled out the Faustian side of Frankenstein's quest: the monster is his punishment for seeking too much power...