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Night Key (Universal) refreshingly presents famed Bogeyman Boris Karloff as a gaunt, lovable genius at electrical gadgets. Much of the picture's suspense comes from the expectation that he will suddenly revert to monster type. He never does, though he has plenty of provocation...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 26, 1937 | 4/26/1937 | See Source »

...involved should qualify as first-rate entertainment is a tribute to the finesse with which Director Henry Koster handled Adele Comandini's script and to the acting of an expert and experienced supporting cast. That the heroine, instead of seeming an obnoxious little prig more terrifying than Boris Karloff in a fright-wig, possesses instead the appeal of a talented and attractive child is due principally to the actress who has now replaced Karloff as Universal's outstanding attraction, 14-year-old Deanna Durbin...

Author: /time Magazine | Title: The New Pictures: Dec. 21, 1936 | 12/21/1936 | See Source »

Alfred Padgham is a tall, impassive Englishman who looks like Boris Karloff, plays golf as if it bored him. Bored or not, he does it better than anyone else in England. For winning four major tournaments in a row, bookmakers made Padgham favorite to win the British Open championship. At Hoylake, the Royal Liverpool Golf Club's course famed for its length (7,078 yd.), he last week...

Author: /time Magazine | Title: Sport: Padgham | 7/6/1936 | See Source »

...Storm Child," the new play which John Craig, 2nd, and Mary Young are presenting these days at the Copley Theatre is a horror play in the accepted Boris Karloff tradition and is to be commended at the outset for including every dramatic element which might be conceived as pertinent to a genuine, old style terrorizer...

Author: By S. M. B., | Title: CRIMSON PLAYGOER | 4/21/1936 | See Source »

...broods over Edgar Allan Poe, keeps a stuffed raven in his study, is fascinated by death and torture. When his vanity is appealed to, he operates on a young girl (Irene Ware) to save her life, falls in love with her. Meanwhile he is approached by a criminal (Karloff) who wants his features altered to escape detection. Because Karloff, anxious to mend his ways, believes that "ugly people do ugly things," he begs to be made better looking. Instead, Lugosi makes him uglier still, enslaves him by promising to do a better job next time. Spurned by the girl...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 17, 1935 | 6/17/1935 | See Source »

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