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...characters have talked of horror more than they have experienced it. But with that grisly bout of Satanism they swing into action, shrieking, shooting, skulking, fainting, sprinting, cursing and puffing. Lugosi's daughter (Lucille Lund) inexplicably appears on the embalming table in the cellar. Lugosi and Karloff grapple over the table, are separated by a servant. Lugosi commences skinning Karloff alive with a scalpel. The U. S. visitors escape the house. Dynamite blows the whole situation to bits...

Author: /time Magazine | Title: Cinema: The New Pictures: May 28, 1934 | 5/28/1934 | See Source »

...dismal hocus-pocus which seems to confuse its actors as much as it fails to frighten its audience. The Black Cat is the work of Director Edgar Ulmer. Silly shot: the Black Mass, with Karloff intoning Latin gibberish...

Author: /time Magazine | Title: Cinema: The New Pictures: May 28, 1934 | 5/28/1934 | See Source »

Cinema's two outstanding blood-curdlers deserve a better vehicle than The Black Cat in which to appear together for the first time. Between them they have played all of the more awful whatnots and macabre personages of the past few years, Karloff in The Mummy, Frankenstein, The Mask of Fu Manchu, The Old Dark House and The Ghoul; Lugosi in Dracula, White Zombie, Chandu the Magician and Murders in the Rue Morgue...

Author: /time Magazine | Title: Cinema: The New Pictures: May 28, 1934 | 5/28/1934 | See Source »

...Boris Karloff, an Englishman born Charles Edward Pratt 47 years ago, is fond of pipes, tweeds, tea, cricket and golf. Member of a civil service family, he gave up studying for a consular post to go to Canada as an actor. It took him 14 years acting bit parts to get a full-size role in Hollywood...

Author: /time Magazine | Title: Cinema: The New Pictures: May 28, 1934 | 5/28/1934 | See Source »

...attempt to create a super bloodcurdling picture both Dracula's Bela Lugosi and Frankenstein's Boris Karloff have been thrown together that two monsters are better than one does not work out in this instance. Displaying a remarkable lack of originality in terrorizing devices and effects, the picture is hardly one to make children scream and women faint. Even more important, the plot is so complicated and incoherent that all sense of sustained terrifying suspense is virtually lost. Two such master-monsters as Lugosi and Karloff deserve a better vehicle than "The Black Cat" when they meet to match wits...

Author: By R. O. B., | Title: "BLACK CAT"--Keith's Memorial | 5/28/1934 | See Source »

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