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...Sally and Sleepless in Seattle, and in the new box-office favorite French Kiss, she is also the current soul of romantic comedy. And what you see on screen is what you get on the set. "She's adorable, huggable, smart, funny and strong," says French Kiss director Lawrence Kasdan, listing the five Comic Heroine virtues as if they had been minted for Ryan. "Men want to be married to her, and women want to be her friends.'' Says Nora Ephron, who wrote When Harry Met Sally and directed Sleepless in Seattle: "Women somehow don't mind if their boyfriends...

Author: /time Magazine | Title: STAR LITE, STAR BRIGHT | 5/22/1995 | See Source »

...were responsible for reporter Larry Lewis' carpel tunnel syndrome. Last month IBM won a similar decision from a Minnesota jury. Lewis, who has been a reporter for 30 years, said he wanted to show that "you can get carpal tunnel from a computer." However, hand surgeon Dr. Morton L. Kasdan says that will be a difficult thing to prove. He says that there has never been a study that conclusively proves that carpal tunnel syndrome is caused by the use of a keyboard. U.S. Labor Department figures show that the number of reportedrepetitive stress injurieshas more than doubled from...

Author: /time Magazine | Title: IBM CLEARED IN CARPEL TUNNEL SUIT | 4/26/1995 | See Source »

...been a rough year for some acclaimed writer-directors. They spend all their ingenuity and a good deal of money putting a personal twist on an old genre -- Lawrence Kasdan with his Wyatt Earp western, James L. Brooks with the would-be musical I'll Do Anything, Barry Levinson with his behind- the-screen Jimmy Hollywood -- and what happens? A big nothing. The critics cluck; the public stays home in droves. One hates to see ambitious artists fail, even if their fizzles can be more provocative than the minor films that become major hits. But somehow these men became estranged...

Author: /time Magazine | Title: CINEMA: Lies, True Lies and Ballistics | 7/18/1994 | See Source »

...director of Wyatt Earp, Lawrence Kasdan (he also wrote the screenplay with Dan Gordon), is obviously of the school that believes all inclusiveness is a reasonable trade-off for insight. Or maybe, like a lot of literary biographers these days, he can't bear to omit any of his research. But his approach prevents Wyatt Earp from developing a compelling dramatic arc, and it doesn't help a rather glum and withdrawn Kevin Costner make the eponymous protagonist into a dynamic or even very attractive figure. Mostly he is fate's pawn, grimly enduring one damn thing after another...

Author: /time Magazine | Title: CINEMA: Shoot-Out At the Zz | 7/4/1994 | See Source »

Carby, addressing more than 70 gathered at Emerson Hall in the last of the three W.E.B. Dullois Lectures, drew on Harriet Beecher Stowe's novel "Uncle Tom's Cabin" and the recent Lawrence Kasdan film "Grand Canyon" as examples of works by whites intended to preserve their social position, not to promote true racial equality...

Author: By Margaret C. Boyer, | Title: Carby Gives Final DuBois Talk | 4/9/1993 | See Source »

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