Word: kassel
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Souvenir. Today, on the wall of his Kassel board room, Fritz-Aurel Goergen displays a selection of letters from his German bankers. Written as late as January of last year, they all protest nervously at his ambitious expansion plans for Henschel. A target of $122 million in sales for Henschel, complains one of the letters, is "intolerable." Says Goergen, whose sales have already hit $125 million and are still growing: "Putting those up for all to see is the revenge of the little...
...company's family management stubbornly continued to concentrate on steam locomotives while Europe's railroads clamored for diesels and electrics. By 1958 Henschel was losing $2,000,000 a year, and creditors were beginning to encircle its huge new plant in the Hessian city of Kassel...
...canvas is more detailed: Diana, who is barelegged in Cleveland's version, wears sandals and leggings in Getty's. But even this, said Held, proves its authenticity, for in a painting that is admittedly a copy of the Rubens Diana, at the Picture Gallery in Kassel, Germany, the huntress wears leggings and sandals. Finally. Held detected several pentimenti. or ridges of paint that reveal a painted-over design, on the Getty canvas. These, he said, are "a sign of spontaneous execution characteristic of an original version, while a neat finish that does not betray the trial and error...
German Atonalist Zillig wrote his opera The Sacrifice in 1937, but the work had only three performances until its present revival at West Germany's Kassel Opera House. Based on a play by the late expressionist writer Reinhard Goering,* Sacrifice tells the story of Robert Scott's last, tragic expedition to the South Pole in 1912. Its legendary hero is Lawrence Gates, who suffered frostbite and, realizing that he was jeopardizing the chances of the other members of the expedition, marched off into a blizzard in a suicidal sacrifice. In Zillig's treatment, the penguins enter...
...three major repertory opera theaters (the Metropolitan. Chicago and San Francisco operas). West Germany, Austria and German-speaking Switzerland, on the other hand, have about 60 thoroughly professional opera companies, most of them small houses that the musical tourist rarely hears of: Flensburg, Krefeld, Oldenburg. Hof, Saarbrucken, Augsburg. Kassel, Koblenz, Oberhausen, Bielefeld. There are some 150 U.S. singers in German-speaking houses today, constituting about 20% of the soloists. California-born Soprano Mary Gray, 29, recalls a Traviata in Karlsruhe last season: "The three leads came out for the curtain calls, and I looked around and thought, 'My gosh...