Word: kat
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Dates: during 1960-1969
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...garish apparition indeed. He twists his scarlet mouth into an obsequious leer as he whines the lyrics of Willkommen, Bienvenue, Welcome. The character has no name, no dialogue. But in Joel Grey's insinuating performance, the sleazy, empty-souled, fanny-grabbing emcee of Berlin's Kit Kat Klub is not only the glue that holds the musical together but also the embodiment of a nation's depravity during the black dawn of the Nazis...
CABARET. Onto the sleazy canvas of a 1930 Berlin nightspot, the Kit Kat Klub, this musical squeezes the borrowed pigments of bloatedly satiric George Grosz cartoons, Brecht-Weillschmerz, and the black-gartered cinemantics of the Dietrich of The Blue Angel. A whale of a production but a minnow of a show...
CABARET. Onto the sleazy canvas of a 1930 Berlin nightspot, the Kit Kat Klub, this musical squeezes the borrowed pigments of bloatedly satiric George Grosz cartoons, Brecht-Weillschmerz, and the black-gartered cinemantics of the Dietrich of The Blue Angel. The atmospherics make for a whale of a production but a minnow of a show...
...thigh-bared, black-gartered allure of Marlene Dietrich in The Blue Angel. Add a living link to the period in Weill's widow, Actress Lotte Lenya, with her cynical eyes and big-city-scarred voice. Set this musical by committee in a chic-sleazy nightspot called the Kit Kat Klub, supply a rouged M.C. played with androgynous guile by Joel Grey, bring on hip-roiling, braless chorines with soft-boiled smiles and any kind of love for sale, orchestrate it all to the flesh tones of insinuative tenor saxes, and the atmosphere is complete. It's as vivid...
...least credible presumption of Cabaret is that the dance floor of the Kit Kat Klub portrays a civilization goose-stepping its way to disaster. If the Kit Kat Klubs fostered Hitler, whatever will the Bunnies spawn...