Word: kat
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JOEL GREY'S DIABOLICAL LEER, Liza Minelli's divinely decadent green nail polish and nervous mannerisms and the way her magnificent, ringing voice transfigured both in the lurid glare of the Kit Kat Klub--these are images that linger long and powerfully from the film version of Cabaret. From the growing horror of Nazism in Weimar Germany, the film cut artfully to the dazzling, perverse world of the cabaret, which grotesquely parodied an even more grotesque reality. The effect was to present a society in which decent human relationships were impossible, where human contacts were uniformly debased to the level...
...shadow of the movie, even though play and film are structurally distinct. The subplots are completely different, the main plot varies in significant details, and, most important, the film version transplanted virtually all the music to the cabaret sequences, heightening the contrast between the escapism of the Kit Kat Klub and the painful drama outside. If the play suffers from the blurring of these two worlds, however, it benefits from the mere fact that it is theater--that we, the audience, are immediately present as the audience of the Kit Kat Klub and as participants in the decadence it purveys...
Harvard senior Andrew Borg presented "Between Two Moons," his thesis-in-progress for Visual Studies. (Its final performance will be May 7-9 with the Harvard/Radcliffe Dance Company). Huddled in heavy army-green overcoats, Borg and dancers Nancy Compton and Kat Fischer enter and traverse the dimly-lit space, establishing characters through their idiosyncratic gaits: Compton inches forward, Borg sneaks backwards, and Fischer steals sideways. They turn sharply and skulk towards the audience--sputtering, chortling, swallowing shrill screams -- then disappear into the wings. The three return, this time with overcoats hunched up over their heads, and pick up the stealthy...
...sheer energy, historical savvy, wit and scrounging invention, Ruckus Manhattan is unique. Over the years, Grooms, Gross and their friends have been making their robust tableaux, always on a shoestring but never on such a scale. If one could envisage a fairground produced by Robert Crumb and Krazy Kat out of Dr. Caligari's Cabinet, this would be it. The Ruckus group are omnivores, infatuated with New York, and you are never allowed to forget it. Archie Peltier, an artist from Minneapolis, was responsible for most of the engineering, and his handiwork is impressive. People can walk up inside...
Baseball Cantata. U.S. concertgoers may not yet realize what they could be in for. Tired of the usual fare of Bach, Beethoven, Brahms and Bartok? How about a 90-minute multimedia work based on the Krazy Kat cartoon strip? Roger Reynolds, 40, is creating such a work at the University of California at San Diego. A baseball cantata based on Casey at the Bat? Pulitizer Prizewinner William Schuman, 64, is warming that one up. There has been comparatively little pressure on composers to wave the flag or concentrate on Americana, though Leonard Bernstein is setting to music poems by eight...