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Word: kate (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...somewhat less flamboyant personal life than Coco's, but is consumed by a Coco-like work ethic. "Look at Chanel at 86," Lerner points out, "still pinning and ripping. I've never known anyone who is so totally immersed in her work as Kate...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

...Dressing up is a bore," says Hepburn. "At a certain age, you decorate yourself to attract the opposite sex, and at a certain age, I did that. But I'm past that age." This spareness carries over into her profession. "Addition can make an enormously interesting artist," says Kate, "but the elimination makes a great artist. Simplifying, simplifying, simplifying." She relaxes by playing tennis or taking long walks. When she and Director Michael Benthall worked on The Millionairess, she used to insist that he run around the Central Park reservoir with her every morning. "It nearly killed...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

...play taking shape at the Mark Hellinger Theater, Kate plays the Coco of 1953-the Chanel who, at age 70 and after 15 years in retirement, decided to make a comeback by reopening her salon. The plot is as simple as a Chanel suit: Yes, she'll open; No, she won't; Yes, she'll open; No, she won't; Yes, she'll open; Yes, she opens. Her collection is a flop with the Paris fashion world, but not (aha!) with the fresh-eyed buyers from across the Atlantic. Paris may have hated the dresses...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

...Sweat. Of the 18 Lerner-Previn songs, eight are Kate's, full of self-doubt, self-confidence, self-satisfaction and self-recollection. Previn has played a schmalzy Loewe to Lerner's Lerner. As for Hepburn's voice, Previn thinks she's got it. "There's been an enormous improvement just since I heard her last summer," he says. As Adler sees it, "She's like Rex Harrison, only she out-Rexes Rex: you never quite know when the singing stops and the talking begins." It's probably just as well; who else...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

Beyond the Lerners and Previns and Beatons-even beyond the real Chanel -it still remains very much Hepburn's show. Of Coco's 2½ hours, she is onstage all but twelve minutes. Although a mellower Hepburn than the imperious Kate of earlier days, she is still tough. "I think I'm feisty!" she agrees, "but people have just gotten used to me. Now that I've become like the Statue of Liberty or something. Now that I've come to an age where they think I might disappear-they're fond...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

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