Word: kates
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...price. On the following pages, TIME draws back the curtain and looks at 10 top imagemakers and how they influence the fashions we see and buy and wear in the ever returning hope that some wonderful new feeling will come into focus when we put them on. --By Kate Betts...
...York City, Laird found a job selling shoes at Bergdorf Goodman, where he met adman Arnell. And, well, you know the story: resume, junior-account-executive job. Now Madonna and Missy. What next? "We're only just beginning," Laird says. "We have so much more work to do." --By Kate Betts...
...that people buy because they need it--to a fashion business, which is based on shoppers' desire. "We're not flashy or trendy, but we still have to surprise people," he says. "People have to really be enchanted by what they see." Otherwise, he would just bag it. --By Kate Betts...
...world's most sought-after photo-retouching firm. As the essential "postproduction" man for Annie Leibovitz, Craig McDean and other top-tier photographers, Dangin draws out possibilities within the negative after the picture is snapped. Not incidentally, he also improves any skimpy eyebrows, plump thighs or detectable pores. Whatever Kate Hudson or Gwen Stefani or Nicole Kidman might look like in fact, what she looks like in Harper's Bazaar or W is often Dangin's doing...
...erase crowsfeet. (The hardest flaw to deal with? "Bad toes.") But in a day when fashion magazines are publishing "Frankenstars"--women assembled for the page by bolting a head from one shot to a body from another--some of the flesh-and-blood stars are protesting. In recent months Kate Winslet and Julia Roberts have complained that they were unreasonably remade (not by Dangin) on magazine covers. "Postproduction capability should not be looked at as a voodoo practice," he insists. "It's been like this forever. The black-and-white photography of old Hollywood stars was extremely airbrushed." Call...