Word: kathleen
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Dates: during 1990-1999
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...Kathleen (not her real name), a suburban mom from Iowa, wishes she'd known about it 27 years ago. She says there was something chilling about the way her only son coaxed her for a cookie at age two. "It was way beyond manipulative. He was very adept at reading me, at figuring out what it took to get him what he wanted." By adolescence, the handsome, popular high school athlete had taken to stealing from her purse, torturing animals, driving drunk and making violent threats against classmates. Typical boyish rebellion? "There was a difference," Kathleen says. "I didn...
...Kathryn A. Moynihan Paul R. Mrockowski Douglas S. Muller Angela M. Munoz Alyssa B. Murphy Carlye A. Murphy Justin G. Muzinich Elie Y. Mystal Jesse I. Needleman Maria C. Nelson Seth P. Nickinson Mary W. Nicklin Jessica A. Niles Paul K. Nitze Gregory S. Novak Deirdre A. O'Dwyer Kathleen M. O'Toole Elizabeth C. Oelsner Dara B. Olmstead Noah D. Oppenheim Matthew T. Ozug Edwin T. Pankau Irwin G. Park Michael S. Passaportis Jonathan M. Patton Tamin M. Pechet Maura M Pelham Joshua E. Penzner Richard A. Perez Joshua A. Perry Danilo Petranovich Mei Pin Phua Lindsay J. Pindyck...
Starring Seth Fenton '01, Kathleen Stetson '03, Susan Long...
...Admiral, resembling a more refined Mr. Bean, and Susan Long '02 provides a tongue-in-cheek performance as the bawdy but compassionate Buttercup. All the principal characters acquit themselves well with a good dose of self-awareness and ample humour, but the real star of the show is firstyear Kathleen Stetson. As the unwillingly betrothed Josephine, Stetson is simply luminous. From the melancholic torch songs of "Sorry Her Lot" and "The Hours Creep on Apace" to her puckish asides before and during "Refrain Audacious Tar", she has a positively radiant stage presence, extracting pathos in being the leashed Captain...
...best posture on Broadway, but there's something about that lean, ramrod-straight bearing that manages to both poke fun at itself and radiate real stage charisma. This new Kiss Me, Kate (Broadway's first since the 1948 original), smashingly directed by Michael Blakemore and choreographed by Kathleen Marshall, proves what Ragtime should have: Mitchell is Broadway's first great musical star of the new millennium...