Word: kathryn
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...meet opened with B.U.'s other pool record of the night, a 1:54.8 in the 200-yd. medley relay. The Harvard team of Kathryn Davis, Karen Chen, Norma Barton, and Fayer followed closely with a 1:56.16, a new team record...
...other two shows also flatten Cheever's subtleties into middle-brow platitudes. In O Youth and Beauty!, Michael Murphy plays a onetime Princeton track star, now a bank executive, who vexes his wife (Kathryn Walker) by jumping over furniture at cocktail parties. Not content to let this conceit speak for it self, Playwright Gurney supplies dialogue to explain that the hero is "surmounting the obstacles of middle age . . . [by] leaping above the paraphernalia of middle-class life." In The Five-Forty-Eight, a dance of death between a married man (Laurence Luckinbill) and his jilted lover (Mary Beth Hurt...
...role of Douglas's wife Adele is probably the most difficult in the show. While Mrs. Douglas narrates the play from the perspective of old age, she also appears as a young wife. Unfortunately, actress Kathryn Kirkwood goes overboard in an attempt to distinguish between the two roles...
...finds in Woody Allen and Paul Mazursky films: well-intentioned, articulate neurotics whose comic behavior exposes their internal pain. Unfortunately, Ross has a tendency to sacrifice believability for broad gags. We are asked to accept, simply for farcical purposes, that Franny's otherwise bright parents (John Lithgow and Kathryn Walker) would pull an elaborate ruse to fool their child into thinking that their dead marriage is a happy one. Ross not only characterizes Jamie's father (Terry Kiser) as a desperately hip playboy, she must also give him a bachelor pad so overdone that even Hugh Hefner would...
...which made the play especially apt for use in the marriage festivities of the daughter of James I), Ray Diffen has provided lovely gold-haloed costumes for the goddesses Iris, Ceres and Juno, who sing a terzetto by John Morris and oversee a pretty ballet of nymphs choreographed by Kathryn Posin (though Freedman has needlessly abridged the text in order to extend the singing and dancing--needlessly, since only The Comedy of Errors is shorter, and this production has a running-time of only two and a quarter hours...