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...work on the coloratura role of the Queen of the Night in Mozart's Magic Flute, due for a Metropolitan Opera performance in early 1951. Like other neophytes at the Met, she spent the rest of her time attending classes in the Met's affiliated Kathryn Turney Long Opera Courses, watching rehearsals, singing once in a while in rehearsal ensembles-until Manager Rudolf Bing tapped her on the shoulder last week, five hours before the curtain went up on the season's first Don Giovanni...

Author: /time Magazine | Title: Music: Substitution | 11/27/1950 | See Source »

Candidates for the Class of '51 are: Helen Barbara Bernstein, Sheila Alice Brown, Baila Judith Coren, Barbara Anne Higgins, and Alico Dianne Wertz; for the Class of '52: Judith Grose, Allison Ann Mathews, and Priscilla Smith; for the Class of '53: Elizabeth Ann Brown, Janet Kathryn McNeill, and Renee S. Michelson...

Author: NO WRITER ATTRIBUTED | Title: Annex Begins Vote For Class Officers | 3/29/1950 | See Source »

...Here We Go Again!" The world first heard the famed Godfrey voice on an August day in 1903 in response to a doctor's postnatal slap. He was the first-born of five children-of Arthur Hanbury Godfrey and the former Kathryn Morton of Ossining, N.Y. Father Godfrey, a freelance writer and expert on horseflesh, claimed to be the son of Sir John Godfrey, onetime Viceroy of India and scion of a wealthy Liverpool brewing family. Arthur recalls that his father was "a raconteur and a gentleman full of old-school aristocratic thinking. Therefore, in business, he stunk." Since...

Author: /time Magazine | Title: Radio: Oceans of Empathy | 2/27/1950 | See Source »

...Arthur's two sisters, Mrs. Kathryn Ripley, broadcasts over station KRDO in Colorado Springs, Colo., using her mother's maiden name. With all of his brothers & sisters, Arthur's relations are more often tense than tender...

Author: /time Magazine | Title: Radio: Oceans of Empathy | 2/27/1950 | See Source »

...sometimes incredible, imagination and control. At one point in the play, he held the audience's complete attention for at least fifteen minutes. The Brattle Company, no doubt inspired by working with such an actor, was in fine form. Bryant Halliday, Will West, Jerry, Kilty and a guest actress, Kathryn Eames, were especially good. Robert O'Hearn's set was extremely impressive-certainly the best work of his I have seen. And Miles Morgan's lighting was very skillful...

Author: By Edmond A. Levy, | Title: THE PLAYGOER | 12/2/1949 | See Source »

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