Word: katia
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Broadway in Paris. Marcia will find that another U.S. woman painter has already been in Paris. Sylvia Carewe, the 5 ft.-tall, 43-year-old wife of Carter's Little Liver Pills Executive Marvin Small, had a solo show at the Left Bank gallery of Katia Granoff last week and received critics' salutes rarely fired off for visiting talents. She also sold ten of her 22 canvases at prices ranging from $500 to $1,500. After 14 years of painting, nine of regular showing from Ball State Teachers College in Muncie, Ind. to Manhattan's Whitney Museum...
...Orangerie "the Sistine Chapel of impressionism." Collector Walter Chrysler Jr. and Manhattan's Museum of Modern Art both climbed aboard, bought late-Monet paintings (TIME, Jan. 30, 1956). The Monet boom resounded even louder with a show of his late works last summer by Paris Art Dealer Katia Granoff, who bought from Monet's son, Michel, the paintings that for decades had been stored at Monet's Giverny studio (where several collected shrapnel holes during World War II). The fresh supply set off a scramble that one U.S. buyer called "a regular gold rush; the prices seemed...
...French Talking Committee will present "Katia" Thursday at the Institute of Geographical Exploration, 2, Divinity Avenue. There will be four showings, at 1.45, 4:15, 6:45, and 9 o'clock. Undergraduates of Radcliffe may obtain tickets free...
...story of the tragic love between Tsar Alexander II and Princess Dolgoruki is told tenderly and tearfully in "Katia," the new French film at the Fine Arts. A gushing romance not entirely free from 10c novellette effects, "Katia" manages to stir up cavalier emotions in an audience hardened by Clark Gable and Joan Crawford. Despite its shallow "profundity" qui est tres francais, the dialogue sounds surprisingly convincing in the mouths of Alexander and his entourage, who achieved movie sentimentality even before the invention of celluloid. By no means historically faithful, "Katia" catches the spirit of the era it depicts--perhaps...
...than a star's performance. John Loder as the Tsar is almost repulsively sweet; but again there may be some historical justification for that. His promising career as Russia's liberator is cruelly broken off by an assassin's bullet--and the touching show comes to a touching end. Katia's final words: "Pauvre Russie!" sets the audience reflecting on the present as well as the past...