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...course, this is not to be. Katisha barrels in to claim her bridegroom, and all back-room bargains become bogus...

Author: By David L. Greene, | Title: Turning Japanese | 12/9/1988 | See Source »

...Mikado's son, Nanki-Poo (Colum Amory), enters incognito because he is to be beheaded for refusing to marry the eminently unattractive Katisha (Laurie Myers). Nanki-Poo was counting on the imminent execution of his rival, Ko-Ko, thus facilitating his elopement with the delectable Yum-Yum (Amy Daley). To his chagrin, Ko-Ko is executioner rather than executed, and is about to marry Yum-Yum that very afternoon. Happily, Nanki-Poo is able to strike a deal with the Executioner. The Mikado's demand for an execution has imperiled Ko-Ko's life (he being the only person...

Author: By David L. Greene, | Title: Turning Japanese | 12/9/1988 | See Source »

Myers waxes wildly as the lust-crazed Katisha. She draws peals of laughter with her incongrous teeth-gnashing and parody of a broken-hearted ingenue (overweight, arthritis-ridden, and eminently unsuitable for the adolescent Nanki...

Author: By David L. Greene, | Title: Turning Japanese | 12/9/1988 | See Source »

...female leads, the three little maids are endearing even within the limits of their parts. Patte Tuell (Yum-Yum) is coy and free of squelch, while Ellen Zachos' soprano is probably the show's best. Jacqueline Meily (Katisha) is a little below the rest of the cast, as she fails to belt out her ascerbic lines with the requisite spite...

Author: By Jamie O. Aisenberg, | Title: For Kids Mostly | 12/3/1979 | See Source »

These minor characters are not quite as pivotal or as interesting as in some other Gilbert and Sullivan operettas--there's nothing here to compare, for example, with the posturings of the Lord Chancellor in Iolanthe or Katisha's ravings in The Mikado--but they still offer marvelous opportunities for comic mugging. Scott Meadow turns in a sharply defined performance as Wilfred Shadbolt, the "assistant tormentor" who eventually wins Phoebe's hand (but not her heart). A typical Gilbert and Sullivan "light heavy," Meadow's Wilfred is too ridiculously self-important and gullible to be really threatening. Carol Flynn also...

Author: By Julia M. Klein, | Title: Jests, Jibes and Cranks | 4/29/1976 | See Source »

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