Word: katrin
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...chronicle of a Norwegian-American family in turn-of-the-century San Francisco, Mama is unfolded retrospectively (from a corner of the stage) by daughter Katrin, now a successful writer. The kitchen-for-parlor home life that Katrin looks back on is dominated by firm, frugal, warmhearted Mama (extremely well played by Mady Christians) who, to give her children a feeling of security, pretends that the family has a flourishing bank account. Domestic fireworks are provided by hard-drinking, softhearted Uncle Chris (Oscar Homolka); domestic dissonances by Mama's prying married sisters. The adolescent Katrin composes excruciating short stories...
...Most of all," says daughter Katrin, "I remember Mama," Mama is kind, firm, and resourceful, and has four children to look after. There are Katrin, the oldest, who wants to be a writer; Christine, blonde, the prettiest member of the clan; Nels, the young man of the house; and Dagmar, the precocious, animal-loving seven-year-old girl. Naturally, Mama doesn't want her children to fear poverty, so she invents a neat little myth about a bank account. But of course, no one ever "goes to the bank" because Mama always figures a way out of every emergency...
...Painted Veil (Metro-Goldwyn-Mayer). When Dr. Walter Fane (Herbert Marshall) goes to the door of his wife's bedroom in Hongkong, he finds it locked. On the hall table lies a polo helmet. From these two facts he knows that his Katrin (Greta Garbo) is sinning with a cool young legation attaché (George Brent). At dinner that night, Dr. Fane presents Katrin with a choice: she will leave with him for Mei-tan-fu, where cholera is epidemic, or she will marry the attach...
...Katrin has time to think about her misdemeanors. While Dr. Fane is busy treating cholera-stricken natives, she sits at home, listening to the babble of her Chinese maid who calls her "Missy" and a cockney resident named Waddington (Forrester Harvey). By the time the doctor has relented so far as to offer to send Katrin back to Hongkong, she has decided to stay in Mei-tan-fu as a nurse. Dr. Fane is wounded in a riot and at the same time the attaché arrives in Mei-tan-fu to see how Katrin is making out. She gives...
...first picture since Queen Christina, Greta Garbo gives a triumphant performance. As beautiful as ever but less numb than usual, she achieves the difficult feat of making Katrin seem more a human being than a fictionized heroine. Richard Boleslavski's direction is slow but sure; the picture gathers power steadily toward the finish. Its only thoroughly weak spot is a Chinese festival staged by Chester Hale to lend "production value"-a sequence which looks as if it had just finished an engagement at the Winter Garden. Good shot: Greta Garbo at dinner wondering how much her husband knows...