Word: katzenbergers
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Awww, did we have to go and say Pixar? The very word stings the DreamWorks ego like a lighted cigar tip on a fresh wound. Jeffrey Katzenberg, DreamWorks' elfin pooh-bah, had run Disney's animation unit during its renaissance years - The Little Mermaid, Beauty and the Beast, The Lion King - before leaving in 1994 as John Lasseter's fledgling Pixar outfit came into the Disney fold. Katzenberg's new animation unit soon out-Disneyed Disney, whose 2-D features have waned in appeal. But he hasn't been able to out-Pixar Pixar. (See the top 10 Pixar voices...
...least Oscar voters seem to think so. Nine years ago, when the award for Best Animated Feature was established, DreamWorks got the first one, for Shrek. Since then, Katzenberg's products have been shut out (the studio distributed one Oscar winner, Nick Park's veddy English Wallace & Gromit: The Curse of the Were-Rabbit), while Pixar has taken five: Finding Nemo, The Incredibles, Ratatouille, WALL•E and Up. This year, DreamWorks' perky Monsters vs Aliens was not even one of the five finalists. "Each year I do one DreamWorks project," actor Jack Black told the crowd...
...theft from an employee benefit plan. The scam's victims included high-profile celebrity names such as actress Kyra Sedgwick, actor Kevin Bacon, director Steven Spielberg, actress Zsa Zsa Gabor, actor John Malkovich, New York Daily News owner Mort Zuckerman and the family trust of DreamWorks CEO Jeffrey Katzenberg, as well as charities, universities, hedge funds, banks and pension funds around the world...
...another, you've heard that 3-D is the Next Big Thing - as important a change, says its most assiduous cheerleader, Jeffrey Katzenberg of the DreamWorks animation studio, as sound (which revolutionized movies within three years in the 1920s) and color (introduced around the same time, and ubiquitous from the mid-'60s). As a TIME story trumpeted in 1990, the last time the revolution was proclaimed: "Grab Your Goggles, 3-D Is Back!" (See the top 10 movie gimmicks...
...experience. But now, the home market - DVD and pay-cable - is where most people see most of their films, and where Hollywood makes much more money than it gets from theaters. Where's the inevitability factor in a format that can't yet be duplicated at home? Even Jeffrey Katzenberg acknowledges that 3-D won't be a major factor in home viewing for quite some time. And he's talking only about DVDs. What about pay-cable? How would HBO show the 3-D version of Monsters vs Aliens - on a separate, 3-D-only channel, with glasses that...