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...films. Harlem Nights earned a respectable $60 million at the North American box office; Another 48 HRS., $80 million. Two: he hasn't lost his potential. "There are only a few others -- Robin Williams, Billy Crystal, Steve Martin -- in Eddie's league as a brilliant comic talent," says Jeffrey Katzenberg, the Disney sachem who worked with the young Eddie at Paramount and is shepherding Murphy's next film, Distinguished Gentlemen, at Disney. "Just as important, he's realigned his management team and has a great relationship with Brandon Tartikoff at Paramount. He's an ambitious, nailed-down, determined actor...

Author: /time Magazine | Title: Do You Still Love Eddie? | 7/6/1992 | See Source »

...Last summer's "serious" hit, Boyz N the Hood, made a lot of money on a weenie budget but, judging from recent events, didn't have much impact on the residents of South Central Los Angeles, where the film was set and shot. Says Disney's movie boss Jeffrey Katzenberg: "This is a time of trouble and concern, yet I am also optimistic. Hollywood can make movies that can speak to the issues we must now confront. We can also offer two hours of fun and escape from those very pressures that must now take priority in our lives...

Author: /time Magazine | Title: Hollywood Gets Hot | 5/18/1992 | See Source »

...which MTV Valley Dude Pauly Shore digs up a frozen caveman, and Sister Act (May 29), with Whoopi Goldberg taking refuge from the mob in Maggie Smith's convent. Encino Man is already touted as "the Wayne's World of summer," and that's fine with Katzenberg, who describes his mostly low-budget summer slate as "the anti- 800-lb.-gorilla school of film-making." Disney's only expensive movie is, of course, a sequel: Honey, I Blew...

Author: /time Magazine | Title: Hollywood Gets Hot | 5/18/1992 | See Source »

This is the new Hollywood gospel, and its prophet is Jeffrey Katzenberg. In January, Katzenberg, who runs Walt Disney's movie operations, wrote a staff memo that was passed around Hollywood more quickly and urgently than a joint at Woodstock. In this back-to-basics plea, he ripped the notions of the bankable star. "If this were true," he asked, alluding to Batman and The Two Jakes, "then how can one explain what happened to 1990's vehicle for 1989's 'most bankable star,' Jack Nicholson?" He apologized for the studio's big- budget Dick Tracy and disclosed that...

Author: /time Magazine | Title: Entertainment: Do Stars Deliver? | 8/26/1991 | See Source »

...Katzenberg had numbers, not just frustration, to back him up. The top three hits of 1990 had been Home Alone, Ghost and Pretty Woman, with nary a bankable star (though Pretty Woman turned Roberts into one). They were simple tales about people who change: the old stuff of drama, and of Hollywood in the decades when its tinsel glistened like gold. Richard Zanuck quotes his father Darryl, longtime pasha of 20th Century Fox, as saying success in movies boils down to three things: "story, story, story." Zanuck is an independent producer who has defied industry logic and made hits without...

Author: /time Magazine | Title: Entertainment: Do Stars Deliver? | 8/26/1991 | See Source »

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