Word: kay
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Dates: during 1960-1969
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Likely Successor. Douglas, who was born Michael Delaney Dowd Jr. in Chicago, prepped as a vocalist on TV's Kay Kyser's Kollege of Musical Knowledge in 1950, and host of an afternoon radio show called Hi, Ladies! In 1961, when the call came to take charge of a new daytime talk show in Cleveland, he was singing in a Los Angeles saloon by night and studying to be a real estate agent...
...Negroes. Just the thing to cause a concerned citizen to rush right out and buy the book. But wait a minute. Wasn't that an unusual cap the policeman was wearing? The Chicago police department thought so. None of their men wore it. Chicago Daily News Columnist Virginia Kay was also puzzled. She did some checking and printed the results. The officer, she said, was a South African and so were the blacks he was beating at Durban in 1960. Concluded Mrs. Kay: "Looks like the university needs to temper its ads with a bit of honesty...
Fanning quit as editorial director of the Chicago-based Publishers' Newspaper Syndicate last September and moved to Alaska after marrying Kay Woodruff Field, second wife of his onetime boss, Marshall Field Jr. Once settled with Kay and her three children, he began looking around for a paper to run, finally bought a 79.4% interest in the News from Publisher Norman C. Brown for an estimated...
Persichetti's Spring Canata, a setting of four poems by e.e. cummings for women's chorus, was in contrast vivid and lively. Vaughn Williams's In Windsor Forest, the most voluptous piece on the program, was also the best performed. Kay Tolbert's crisp solo in "The Conspiracy" and the chorus' rendition of the dreamy meanderings of the "Wedding Chorus" were perfectly natural and uninhibited. So were the two spirituals at the end of the program; Archie Epps in "Ride on King Jesus" created a lilting pulse that was still with me long after the concert. And in Britten...
...Winthrop House, Burnering has been given an exciting, if not-so-well acted, production. Most House shows try to disguise what they are by converting dining rooms, junior common rooms et al. into ordinary theatres or close approximations thereof. Kay Bourne, the director of Burnering, uses a wood-panelled junior common wall for a backdrop, windows for entrances and exits, and a simple platform stage. Through imaginative, deliberate use of lighting, Miss Picker's hour long play is staged without interruption and with only...