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...PEOPLE and tries vainly to assign himself a story on the lost hope he sees around nun this weekend. "You think everything's boring," he snarls to his editor over the phone. "You wouldn't say that if it was the Lost Hope Diet." Meg (Mary Kay Place), a lawyer, got tired of public-defending minority criminals who "were just so ... guilty "and went to work for a posh law firm whose "clients were raping only the land." Nick (William Hurt) went to Viet Nam and got his manhood blown off; now, the impotent cynic, he does...

Author: /time Magazine | Title: Cinema: You Get What You Need | 9/12/1983 | See Source »

...telling. You have to make eye contact with this wonderful ensemble of actors; the pregnant or averted glances they exchange constitute a geometry of tangled passions. JoBeth Williams can say more by directing her big sad eyes off-screen than volumes of Emily Dickinson; in Mary Kay Place's squint is the weather-beaten humor of a career woman who wants an emergency jolt of motherhood; William Hurt's eyes move like restless laser beams; Tom Berenger's search the room in masked desperation, trying to crib emotions from his quicker, less guarded friends. No joke...

Author: /time Magazine | Title: Cinema: You Get What You Need | 9/12/1983 | See Source »

...first used the pseudonym Arthur Francis. In their first Broadway show, Lady, Be Good (1924), they began a fruitful collaboration with Fred Astaire, who was starring with his sister Adele. Other stars soon recognized a good thing. Gertrude Lawrence sang Someone to Watch over Me in Oh, Kay! (1926); in Girl Crazy (1930), young Ginger Rogers sang But Not for Me and Embraceable You, and Ethel Merman razed the roof with I Got Rhythm. Of Thee I Sing (1931) won Ira the first Pulitzer Prize for a lyricist. For George's crowning triumph, Porgy and Bess (1935), Ira contributed...

Author: /time Magazine | Title: Lyrics by the Other One | 8/29/1983 | See Source »

...gruff woodsman (George Dzundza) narrates the tale with the accent of a Borscht Belt comedian. "I gotta great princess for you," he tells the prince. "A dowry you wouldn't believe." Jeremy Kagan's fluid, floaty direction pays visual homage to the sensuous style of Book Illustrator Kay Nielsen. Like all of Duvall's slightly fractured tales, Sleeping Beauty gives a slightly campy twist to a classic without demeaning...

Author: /time Magazine | Title: Video: Cinderella Puts On a Show | 7/25/1983 | See Source »

...Alan Kay, chief scientist of Atari, closed the conference with a vision of the video-game joy stick as a magic wand capable of creating new worlds. The video game, he said, aligned with the computer, was "a new kind of kinetic art," a medium that will allow the user to explore his own imagination. "Games are the most important thing ever invented," he noted, "because they allow us to control and amplify our fantasies...

Author: /time Magazine | Title: Video: Donkey Kong Goes to Harvard | 6/6/1983 | See Source »

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